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% Copyright (C) 2001-2018 Artifex Software, Inc.
% All Rights Reserved.
%
% This software is provided AS-IS with no warranty, either express or
% implied.
%
% This software is distributed under license and may not be copied,
% modified or distributed except as expressly authorized under the terms
% of the license contained in the file LICENSE in this distribution.
%
% Refer to licensing information at http://www.artifex.com or contact
% Artifex Software, Inc.,  1305 Grant Avenue - Suite 200, Novato,
% CA 94945, U.S.A., +1(415)492-9861, for further information.
%
%
% FCO_Symbol Decoding
% Maps PS and TT names to Unicode UTF-16.

/FCO_Symbol     % resource name
200             % tokens
/ParseDecoding /ProcSet findresource /Parse get exec


% Generated for FCO from Symbol encoding with adding F000 
% since MTFONTS/PS3/MT3/ps3___xh.fco wants so.

16#0020 space   % Note : UFST uses 0x20 when others are 0xF0**.
16#F021 exclam
16#F022 universal
16#F023 numbersign
16#F024 existential
16#F025 percent
16#F026 ampersand
16#F027 suchthat
16#F028 parenleft
16#F029 parenright
16#F02A asteriskmath
16#F02B plus
16#F02C comma
16#F02D minus
16#F02E period
16#F02F slash
16#F030 zero
16#F031 one
16#F032 two
16#F033 three
16#F034 four
16#F035 five
16#F036 six
16#F037 seven
16#F038 eight
16#F039 nine
16#F03A colon
16#F03B semicolon
16#F03C less
16#F03D equal
16#F03E greater
16#F03F question
16#F040 congruent
16#F041 Alpha
16#F042 Beta
16#F043 Chi
16#F044 Delta
16#F045 Epsilon
16#F046 Phi
16#F047 Gamma
16#F048 Eta
16#F049 Iota
16#F04A theta1
16#F04B Kappa
16#F04C Lambda
16#F04D Mu
16#F04E Nu
16#F04F Omicron
16#F050 Pi
16#F051 Theta
16#F052 Rho
16#F053 Sigma
16#F054 Tau
16#F055 Upsilon
16#F056 sigma1
16#F057 Omega
16#F058 Xi
16#F059 Psi
16#F05A Zeta
16#F05B bracketleft
16#F05C therefore
16#F05D bracketright
16#F05E perpendicular
16#F05F underscore
16#F060 radicalex
16#F061 alpha
16#F062 beta
16#F063 chi
16#F064 delta
16#F065 epsilon
16#F066 phi
16#F067 gamma
16#F068 eta
16#F069 iota
16#F06A phi1
16#F06B kappa
16#F06C lambda
16#F06D mu
16#F06E nu
16#F06F omicron
16#F070 pi
16#F071 theta
16#F072 rho
16#F073 sigma
16#F074 tau
16#F075 upsilon
16#F076 omega1
16#F077 omega
16#F078 xi
16#F079 psi
16#F07A zeta
16#F07B braceleft
16#F07C bar
16#F07D braceright
16#F07E similar
16#F0A0 Euro
16#F0A1 Upsilon1
16#F0A2 minute
16#F0A3 lessequal
16#F0A4 fraction
16#F0A5 infinity
16#F0A6 florin
16#F0A7 club
16#F0A8 diamond
16#F0A9 heart
16#F0AA spade
16#F0AB arrowboth
16#F0AC arrowleft
16#F0AD arrowup
16#F0AE arrowright
16#F0AF arrowdown
16#F0B0 degree
16#F0B1 plusminus
16#F0B2 second
16#F0B3 greaterequal
16#F0B4 multiply
16#F0B5 proportional
16#F0B6 partialdiff
16#F0B7 bullet
16#F0B8 divide
16#F0B9 notequal
16#F0BA equivalence
16#F0BB approxequal
16#F0BC ellipsis
16#F0BD arrowvertex
16#F0BE arrowhorizex
16#F0BF carriagereturn
16#F0C0 aleph
16#F0C1 Ifraktur
16#F0C2 Rfraktur
16#F0C3 weierstrass
16#F0C4 circlemultiply
16#F0C5 circleplus
16#F0C6 emptyset
16#F0C7 intersection
16#F0C8 union
16#F0C9 propersuperset
16#F0CA reflexsuperset
16#F0CB notsubset
16#F0CC propersubset
16#F0CD reflexsubset
16#F0CE element
16#F0CF notelement
16#F0D0 angle
16#F0D1 gradient
16#F0D2 registerserif
16#F0D3 copyrightserif
16#F0D4 trademarkserif
16#F0D5 product
16#F0D6 radical
16#F0D7 dotmath
16#F0D8 logicalnot
16#F0D9 logicaland
16#F0DA logicalor
16#F0DB arrowdblboth
16#F0DC arrowdblleft
16#F0DD arrowdblup
16#F0DE arrowdblright
16#F0DF arrowdbldown
16#F0E0 lozenge
16#F0E1 angleleft
16#F0E2 registersans
16#F0E3 copyrightsans
16#F0E4 trademarksans
16#F0E5 summation
16#F0E6 parenlefttp
16#F0E7 parenleftex
16#F0E8 parenleftbt
16#F0E9 bracketlefttp
16#F0EA bracketleftex
16#F0EB bracketleftbt
16#F0EC bracelefttp
16#F0ED braceleftmid
16#F0EE braceleftbt
16#F0EF braceex
16#F0F1 angleright
16#F0F2 integral
16#F0F3 integraltp
16#F0F4 integralex
16#F0F5 integralbt
16#F0F6 parenrighttp
16#F0F7 parenrightex
16#F0F8 parenrightbt
16#F0F9 bracketrighttp
16#F0FA bracketrightex
16#F0FB bracketrightbt
16#F0FC bracerighttp
16#F0FD bracerightmid
16#F0FE bracerightbt

%EOF

Rosenblum TV: Video training, virtual workshops, classes, tutorials
logologologologo
  • About
  • What We Do
  • Our Clients
  • Case Studies
    • The BBC
    • CBS News
    • New York Times Television
    • Spectrum News
    • The Newark Star-Ledger
    • The United Nations
    • McGraw/Hill
    • Oyster Yachts
    • Scottish Environmental Protection Agency
  • The Power of Storytelling
  • Why iPhones?
  • Michael on Media
  • Books
  • Contact
  • About
  • What We Do
  • Our Clients
  • Case Studies
    • The BBC
    • CBS News
    • New York Times Television
    • Spectrum News
    • The Newark Star-Ledger
    • The United Nations
    • McGraw/Hill
    • Oyster Yachts
    • Scottish Environmental Protection Agency
  • The Power of Storytelling
  • Why iPhones?
  • Michael on Media
  • Books
  • Contact

RE-INVENTING THE TELEVISION NEWS BUSINESS*

A revolution in video storytelling

Creating entirely new & cost-effective production methods

From the world leaders in video production training and the creators of Character Driven Storytelling™

*and every other business that uses video

WHAT WE DO

Over the past 35 years, we have designed, built or restructured some of the most powerful news and journalism companies in the world.

We replace the traditional TV news ‘crew’ with one highly trained journalist, working alone with nothing but an iPhone.

No more TV news ‘crews’, no editors and no field producers.

This is television news done the way newspaper journalism is done – one reporter with their electronic pad and pencil.

In doing this, we can cut the cost of production by as much as 75% while increasing ratings and audience engagement.

In the place of conventional TV news ‘packages’ – ie, reporter stand up, interview, b-roll, man on the street, we marry great journalism with Netflix and Hollywood storytelling.

It’s a combination that works.

We have taken most of our clients to #1 in their respective markets.

And it’s not just for news. Any company, any profit, any NGO and anyone else who is online needs to tell their story in compelling yet cost-effective video. We can teach you to do that. Either in person or virtually.

EXAMPLES OF WHAT WE CAN TEACH YOUR STAFF TO PRODUCE

ITAY HOD

Itay Hod, MMJ with KPIX/CBS in San Francisco, took the 5-Day Intensive Video Storytelling Bootcamp in 2018.

Because he works alone, with only an iPhone, he was able to embed himself with a homeless family.

Here’s the story he produced in a one-day turn.

KIET DO

Kiet Do, an MMJ with KPIX/CBS in San Francisco, took the 5-Day Intensive Video Storytelling Bootcamp in 2021.

Here is a story he produced, all on his own, with only an iPhone and in a one-day turn.

TAYLOR SCHAUB

Taylor Schaub, an MMJ with Spectrum News 1 in LA, took the 5-Day Intensive Video Storytelling Bootcamp in 2023.

Here is a story he turned in only one day, using only an iPhone. It was the first video story he ever did and it was nominated for an Emmy.

THE BOOTCAMP

How do we convert stations and whole networks to working in this way?

Since 1988, we have run intensive 5-Day Video Storytelling Bootcamps

We have done these all over the world.

These are hands-on bootcamps, and participants learn an entirely new way of creating TV news stories.

-We shoot at a 3:1 ratio or lower, so turnaround times are fast.

-We go directly from camera to timelilne and edit – no written scripts.  We work in the medium of pictures and sound.

-We are entirely character-driven.

-We are driven by pictures and real events.

-We are focused almost entirely on ’the viewer experience’.

Since 1988, more than 70,000 journalists around the world have taken our bootcamps, either in person on virtualy.

Case Studies

CBS Case Study Logos
CBS News

We have started to work with CBS News, bringing our ideas of character-driven storytelling to one of the most successful and biggest networks in the United States. Since beginning to work with them ratings have climbed and more importantly, audience engagement is through the ceiling.

Learn More
NYT Case Study Logos
New York Times Television

We started New York Times Television in 1990 and it was the first paper to be brought into the world of TV. It quickly became one of the most successful non-fiction production companies in the United States. The series and documentaries we produced won many awards including multiple Emmys.

Learn More
BBC Case Study Logos
The BBC

We have been working with the BBC since the year 2000 helping to convert their national news network to our visual storytelling technique. Most recently we have trained teams from their sports, documentaries, and comedy divisions to make character-driven stories using only smartphones.

Learn More
Spectrum Case Study Logos
Spectrum News

For the past five years we have worked with Spectrum News to introduce and train their journalists on visual, character driven storytelling using smartphones helping to create a different kind of local news for their network of 24-Hour News Stations across the United States.

Learn More
UN Case Study Logos
The United Nations

In 2006, we were approached by the United Nations. Rather than rely on news outlets, it would be much easier to train the field operatives to produce their own stories. We spent two years working with the UN, training more than 100 of their staff in bootcamps in Geneva and Nairobi.

Learn More
Star Ledger Case Study Logos
The Newark Star-Ledger

We trained 50 print reporters at the paper to shoot and tell their own stories, in conjunction with their print work. We built a TV newsroom in their existing print newsroom – you could not ask for a better set and they began to live stream their stories in conjunction with their print work.

Learn More
Mcgraw Hill Case Study Logos
Mcgraw Hill

We spent two years with McGraw Hill, training more than 150 of their staffers, making them completely video literate. McGraw/Hill media properties we transit included Business Week, Aviation Week, (what was the name of the architecture magazine), and JD Power and Associates.

Learn More
VOA Case Study Logos
Voice of America

In 1990, we were approached by The Voice of America, the official broadcasting agency for the United States Government. When we met with VOA, they were only a short wave radio broadcaster, but working with them, we took them into television, launching VOA-TV.

Learn More
Oyster Case Study Logos
Oyster Yachts

British based Oyster Yachts makes some of the finest yachts in the world. Like every other company, they had to find a way to feed the never-ending video demands of social media – sites like Instagram and TikTok. We trained the Oyster staff to tell their own stories, using only iPhones.

Learn More
SEPA Case Study Logos
Scottish Environmental Protection Agency

We were approached by SEPA, the Scottish Environmental Protection Agency because they had to continually find a way to ‘feed the media beast’. The result was that SEPA was able to tell their own stories, whenever they wanted, and at almost no additional cost.

Learn More
Image 11-11-22 at 6.25 PM

Michael on Media

Michael Rosenblum has been writing about the media since 1988. His work and ideas have appeared in The Guardian, The Huffington Post, Ilkeston Life and many other publications.

He has been blogging regularly for the past 35 years on this subject. Having taught media studies at Columbia University, NYU and now the University of Oxford, he is considered an expert on this subject.

Continue reading this post or look back at previous posts.

Read More

Do You Have Questions About Learning Video Skills?

If you would like to know more about our courses contact us and one of our training advisors will be happy to call you.

Contact Us

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