/* String (str/bytes) object interface */ #ifndef Py_STRINGOBJECT_H #define Py_STRINGOBJECT_H #ifdef __cplusplus extern "C" { #endif #include <stdarg.h> /* Type PyStringObject represents a character string. An extra zero byte is reserved at the end to ensure it is zero-terminated, but a size is present so strings with null bytes in them can be represented. This is an immutable object type. There are functions to create new string objects, to test an object for string-ness, and to get the string value. The latter function returns a null pointer if the object is not of the proper type. There is a variant that takes an explicit size as well as a variant that assumes a zero-terminated string. Note that none of the functions should be applied to nil objects. */ /* Caching the hash (ob_shash) saves recalculation of a string's hash value. Interning strings (ob_sstate) tries to ensure that only one string object with a given value exists, so equality tests can be one pointer comparison. This is generally restricted to strings that "look like" Python identifiers, although the intern() builtin can be used to force interning of any string. Together, these sped the interpreter by up to 20%. */ typedef struct { PyObject_VAR_HEAD long ob_shash; int ob_sstate; char ob_sval[1]; /* Invariants: * ob_sval contains space for 'ob_size+1' elements. * ob_sval[ob_size] == 0. * ob_shash is the hash of the string or -1 if not computed yet. * ob_sstate != 0 iff the string object is in stringobject.c's * 'interned' dictionary; in this case the two references * from 'interned' to this object are *not counted* in ob_refcnt. */ } PyStringObject; #define SSTATE_NOT_INTERNED 0 #define SSTATE_INTERNED_MORTAL 1 #define SSTATE_INTERNED_IMMORTAL 2 PyAPI_DATA(PyTypeObject) PyBaseString_Type; PyAPI_DATA(PyTypeObject) PyString_Type; #define PyString_Check(op) \ PyType_FastSubclass(Py_TYPE(op), Py_TPFLAGS_STRING_SUBCLASS) #define PyString_CheckExact(op) (Py_TYPE(op) == &PyString_Type) PyAPI_FUNC(PyObject *) PyString_FromStringAndSize(const char *, Py_ssize_t); PyAPI_FUNC(PyObject *) PyString_FromString(const char *); PyAPI_FUNC(PyObject *) PyString_FromFormatV(const char*, va_list) Py_GCC_ATTRIBUTE((format(printf, 1, 0))); PyAPI_FUNC(PyObject *) PyString_FromFormat(const char*, ...) Py_GCC_ATTRIBUTE((format(printf, 1, 2))); PyAPI_FUNC(Py_ssize_t) PyString_Size(PyObject *); PyAPI_FUNC(char *) PyString_AsString(PyObject *); PyAPI_FUNC(PyObject *) PyString_Repr(PyObject *, int); PyAPI_FUNC(void) PyString_Concat(PyObject **, PyObject *); PyAPI_FUNC(void) PyString_ConcatAndDel(PyObject **, PyObject *); PyAPI_FUNC(int) _PyString_Resize(PyObject **, Py_ssize_t); PyAPI_FUNC(int) _PyString_Eq(PyObject *, PyObject*); PyAPI_FUNC(PyObject *) PyString_Format(PyObject *, PyObject *); PyAPI_FUNC(PyObject *) _PyString_FormatLong(PyObject*, int, int, int, char**, int*); PyAPI_FUNC(PyObject *) PyString_DecodeEscape(const char *, Py_ssize_t, const char *, Py_ssize_t, const char *); PyAPI_FUNC(void) PyString_InternInPlace(PyObject **); PyAPI_FUNC(void) PyString_InternImmortal(PyObject **); PyAPI_FUNC(PyObject *) PyString_InternFromString(const char *); PyAPI_FUNC(void) _Py_ReleaseInternedStrings(void); /* Use only if you know it's a string */ #define PyString_CHECK_INTERNED(op) (((PyStringObject *)(op))->ob_sstate) /* Macro, trading safety for speed */ #define PyString_AS_STRING(op) (((PyStringObject *)(op))->ob_sval) #define PyString_GET_SIZE(op) Py_SIZE(op) /* _PyString_Join(sep, x) is like sep.join(x). sep must be PyStringObject*, x must be an iterable object. */ PyAPI_FUNC(PyObject *) _PyString_Join(PyObject *sep, PyObject *x); /* --- Generic Codecs ----------------------------------------------------- */ /* Create an object by decoding the encoded string s of the given size. */ PyAPI_FUNC(PyObject*) PyString_Decode( const char *s, /* encoded string */ Py_ssize_t size, /* size of buffer */ const char *encoding, /* encoding */ const char *errors /* error handling */ ); /* Encodes a char buffer of the given size and returns a Python object. */ PyAPI_FUNC(PyObject*) PyString_Encode( const char *s, /* string char buffer */ Py_ssize_t size, /* number of chars to encode */ const char *encoding, /* encoding */ const char *errors /* error handling */ ); /* Encodes a string object and returns the result as Python object. */ PyAPI_FUNC(PyObject*) PyString_AsEncodedObject( PyObject *str, /* string object */ const char *encoding, /* encoding */ const char *errors /* error handling */ ); /* Encodes a string object and returns the result as Python string object. If the codec returns an Unicode object, the object is converted back to a string using the default encoding. DEPRECATED - use PyString_AsEncodedObject() instead. */ PyAPI_FUNC(PyObject*) PyString_AsEncodedString( PyObject *str, /* string object */ const char *encoding, /* encoding */ const char *errors /* error handling */ ); /* Decodes a string object and returns the result as Python object. */ PyAPI_FUNC(PyObject*) PyString_AsDecodedObject( PyObject *str, /* string object */ const char *encoding, /* encoding */ const char *errors /* error handling */ ); /* Decodes a string object and returns the result as Python string object. If the codec returns an Unicode object, the object is converted back to a string using the default encoding. DEPRECATED - use PyString_AsDecodedObject() instead. */ PyAPI_FUNC(PyObject*) PyString_AsDecodedString( PyObject *str, /* string object */ const char *encoding, /* encoding */ const char *errors /* error handling */ ); /* Provides access to the internal data buffer and size of a string object or the default encoded version of an Unicode object. Passing NULL as *len parameter will force the string buffer to be 0-terminated (passing a string with embedded NULL characters will cause an exception). */ PyAPI_FUNC(int) PyString_AsStringAndSize( register PyObject *obj, /* string or Unicode object */ register char **s, /* pointer to buffer variable */ register Py_ssize_t *len /* pointer to length variable or NULL (only possible for 0-terminated strings) */ ); /* Using the current locale, insert the thousands grouping into the string pointed to by buffer. For the argument descriptions, see Objects/stringlib/localeutil.h */ PyAPI_FUNC(Py_ssize_t) _PyString_InsertThousandsGroupingLocale(char *buffer, Py_ssize_t n_buffer, char *digits, Py_ssize_t n_digits, Py_ssize_t min_width); /* Using explicit passed-in values, insert the thousands grouping into the string pointed to by buffer. For the argument descriptions, see Objects/stringlib/localeutil.h */ PyAPI_FUNC(Py_ssize_t) _PyString_InsertThousandsGrouping(char *buffer, Py_ssize_t n_buffer, char *digits, Py_ssize_t n_digits, Py_ssize_t min_width, const char *grouping, const char *thousands_sep); /* Format the object based on the format_spec, as defined in PEP 3101 (Advanced String Formatting). */ PyAPI_FUNC(PyObject *) _PyBytes_FormatAdvanced(PyObject *obj, char *format_spec, Py_ssize_t format_spec_len); PyAPI_FUNC(void) _PyString_DebugMallocStats(FILE *out); #ifdef __cplusplus } #endif #endif /* !Py_STRINGOBJECT_H */

RE-INVENTING THE TELEVISION NEWS BUSINESS*

A revolution in video storytelling

Creating entirely new & cost-effective production methods

From the world leaders in video production training and the creators of Character Driven Storytelling™

*and every other business that uses video

WHAT WE DO

Over the past 35 years, we have designed, built or restructured some of the most powerful news and journalism companies in the world.

We replace the traditional TV news ‘crew’ with one highly trained journalist, working alone with nothing but an iPhone.

No more TV news ‘crews’, no editors and no field producers.

This is television news done the way newspaper journalism is done – one reporter with their electronic pad and pencil.

In doing this, we can cut the cost of production by as much as 75% while increasing ratings and audience engagement.

In the place of conventional TV news ‘packages’ – ie, reporter stand up, interview, b-roll, man on the street, we marry great journalism with Netflix and Hollywood storytelling.

It’s a combination that works.

We have taken most of our clients to #1 in their respective markets.

And it’s not just for news. Any company, any profit, any NGO and anyone else who is online needs to tell their story in compelling yet cost-effective video. We can teach you to do that. Either in person or virtually.

EXAMPLES OF WHAT WE CAN TEACH YOUR STAFF TO PRODUCE

ITAY HOD

Itay Hod, MMJ with KPIX/CBS in San Francisco, took the 5-Day Intensive Video Storytelling Bootcamp in 2018.

Because he works alone, with only an iPhone, he was able to embed himself with a homeless family.

Here’s the story he produced in a one-day turn.

KIET DO

Kiet Do, an MMJ with KPIX/CBS in San Francisco, took the 5-Day Intensive Video Storytelling Bootcamp in 2021.

Here is a story he produced, all on his own, with only an iPhone and in a one-day turn.

TAYLOR SCHAUB

Taylor Schaub, an MMJ with Spectrum News 1 in LA, took the 5-Day Intensive Video Storytelling Bootcamp in 2023.

Here is a story he turned in only one day, using only an iPhone. It was the first video story he ever did and it was nominated for an Emmy.

THE BOOTCAMP

How do we convert stations and whole networks to working in this way?

Since 1988, we have run intensive 5-Day Video Storytelling Bootcamps

We have done these all over the world.

These are hands-on bootcamps, and participants learn an entirely new way of creating TV news stories.

-We shoot at a 3:1 ratio or lower, so turnaround times are fast.

-We go directly from camera to timelilne and edit – no written scripts. We work in the medium of pictures and sound.

-We are entirely character-driven.

-We are driven by pictures and real events.

-We are focused almost entirely on ’the viewer experience’.

Since 1988, more than 70,000 journalists around the world have taken our bootcamps, either in person on virtualy.

Case Studies

CBS News

We have started to work with CBS News, bringing our ideas of character-driven storytelling to one of the most successful and biggest networks in the United States. Since beginning to work with them ratings have climbed and more importantly, audience engagement is through the ceiling.

Learn More

New York Times Television

We started New York Times Television in 1990 and it was the first paper to be brought into the world of TV. It quickly became one of the most successful non-fiction production companies in the United States. The series and documentaries we produced won many awards including multiple Emmys.

Learn More

The BBC

We have been working with the BBC since the year 2000 helping to convert their national news network to our visual storytelling technique. Most recently we have trained teams from their sports, documentaries, and comedy divisions to make character-driven stories using only smartphones.

Learn More

Spectrum News

For the past five years we have worked with Spectrum News to introduce and train their journalists on visual, character driven storytelling using smartphones helping to create a different kind of local news for their network of 24-Hour News Stations across the United States.

Learn More

The United Nations

In 2006, we were approached by the United Nations. Rather than rely on news outlets, it would be much easier to train the field operatives to produce their own stories. We spent two years working with the UN, training more than 100 of their staff in bootcamps in Geneva and Nairobi.

Learn More

The Newark Star-Ledger

We trained 50 print reporters at the paper to shoot and tell their own stories, in conjunction with their print work. We built a TV newsroom in their existing print newsroom – you could not ask for a better set and they began to live stream their stories in conjunction with their print work.

Learn More

Mcgraw Hill

We spent two years with McGraw Hill, training more than 150 of their staffers, making them completely video literate. McGraw/Hill media properties we transit included Business Week, Aviation Week, (what was the name of the architecture magazine), and JD Power and Associates.

Learn More

Voice of America

In 1990, we were approached by The Voice of America, the official broadcasting agency for the United States Government. When we met with VOA, they were only a short wave radio broadcaster, but working with them, we took them into television, launching VOA-TV.

Learn More

Oyster Yachts

British based Oyster Yachts makes some of the finest yachts in the world. Like every other company, they had to find a way to feed the never-ending video demands of social media – sites like Instagram and TikTok. We trained the Oyster staff to tell their own stories, using only iPhones.

Learn More

Scottish Environmental Protection Agency

We were approached by SEPA, the Scottish Environmental Protection Agency because they had to continually find a way to ‘feed the media beast’. The result was that SEPA was able to tell their own stories, whenever they wanted, and at almost no additional cost.

Learn More

Michael on Media

Michael Rosenblum has been writing about the media since 1988. His work and ideas have appeared in The Guardian, The Huffington Post, Ilkeston Life and many other publications.

He has been blogging regularly for the past 35 years on this subject. Having taught media studies at Columbia University, NYU and now the University of Oxford, he is considered an expert on this subject.

Continue reading this post or look back at previous posts.

Do You Have Questions About Learning Video Skills?

If you would like to know more about our courses contact us and one of our training advisors will be happy to call you.

Your IP : 216.73.217.116

RE-INVENTING THE TELEVISION NEWS BUSINESS*

A revolution in video storytelling

Creating entirely new & cost-effective production methods

From the world leaders in video production training and the creators of Character Driven Storytelling™

*and every other business that uses video

WHAT WE DO

Over the past 35 years, we have designed, built or restructured some of the most powerful news and journalism companies in the world.

We replace the traditional TV news ‘crew’ with one highly trained journalist, working alone with nothing but an iPhone.

No more TV news ‘crews’, no editors and no field producers.

This is television news done the way newspaper journalism is done – one reporter with their electronic pad and pencil.

In doing this, we can cut the cost of production by as much as 75% while increasing ratings and audience engagement.

In the place of conventional TV news ‘packages’ – ie, reporter stand up, interview, b-roll, man on the street, we marry great journalism with Netflix and Hollywood storytelling.

It’s a combination that works.

We have taken most of our clients to #1 in their respective markets.

And it’s not just for news. Any company, any profit, any NGO and anyone else who is online needs to tell their story in compelling yet cost-effective video. We can teach you to do that. Either in person or virtually.

EXAMPLES OF WHAT WE CAN TEACH YOUR STAFF TO PRODUCE

ITAY HOD

Itay Hod, MMJ with KPIX/CBS in San Francisco, took the 5-Day Intensive Video Storytelling Bootcamp in 2018.

Because he works alone, with only an iPhone, he was able to embed himself with a homeless family.

Here’s the story he produced in a one-day turn.

KIET DO

Kiet Do, an MMJ with KPIX/CBS in San Francisco, took the 5-Day Intensive Video Storytelling Bootcamp in 2021.

Here is a story he produced, all on his own, with only an iPhone and in a one-day turn.

TAYLOR SCHAUB

Taylor Schaub, an MMJ with Spectrum News 1 in LA, took the 5-Day Intensive Video Storytelling Bootcamp in 2023.

Here is a story he turned in only one day, using only an iPhone. It was the first video story he ever did and it was nominated for an Emmy.

THE BOOTCAMP

How do we convert stations and whole networks to working in this way?

Since 1988, we have run intensive 5-Day Video Storytelling Bootcamps

We have done these all over the world.

These are hands-on bootcamps, and participants learn an entirely new way of creating TV news stories.

-We shoot at a 3:1 ratio or lower, so turnaround times are fast.

-We go directly from camera to timelilne and edit – no written scripts. We work in the medium of pictures and sound.

-We are entirely character-driven.

-We are driven by pictures and real events.

-We are focused almost entirely on ’the viewer experience’.

Since 1988, more than 70,000 journalists around the world have taken our bootcamps, either in person on virtualy.

Case Studies

CBS News

New York Times Television

The BBC

Spectrum News

The United Nations

The Newark Star-Ledger

Mcgraw Hill

Voice of America

Oyster Yachts

Scottish Environmental Protection Agency

Michael on Media