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#ifndef Py_OPCODE_H
#define Py_OPCODE_H
#ifdef __cplusplus
extern "C" {
#endif


/* Instruction opcodes for compiled code */

#define STOP_CODE	0
#define POP_TOP		1
#define ROT_TWO		2
#define ROT_THREE	3
#define DUP_TOP		4
#define ROT_FOUR	5
#define NOP		9

#define UNARY_POSITIVE	10
#define UNARY_NEGATIVE	11
#define UNARY_NOT	12
#define UNARY_CONVERT	13

#define UNARY_INVERT	15

#define BINARY_POWER	19

#define BINARY_MULTIPLY	20
#define BINARY_DIVIDE	21
#define BINARY_MODULO	22
#define BINARY_ADD	23
#define BINARY_SUBTRACT	24
#define BINARY_SUBSCR	25
#define BINARY_FLOOR_DIVIDE 26
#define BINARY_TRUE_DIVIDE 27
#define INPLACE_FLOOR_DIVIDE 28
#define INPLACE_TRUE_DIVIDE 29

#define SLICE		30
/* Also uses 31-33 */
#define SLICE_1		31
#define SLICE_2		32
#define SLICE_3		33

#define STORE_SLICE	40
/* Also uses 41-43 */
#define STORE_SLICE_1	41
#define STORE_SLICE_2	42
#define STORE_SLICE_3	43

#define DELETE_SLICE	50
/* Also uses 51-53 */
#define DELETE_SLICE_1	51
#define DELETE_SLICE_2	52
#define DELETE_SLICE_3	53

#define STORE_MAP	54
#define INPLACE_ADD	55
#define INPLACE_SUBTRACT	56
#define INPLACE_MULTIPLY	57
#define INPLACE_DIVIDE	58
#define INPLACE_MODULO	59
#define STORE_SUBSCR	60
#define DELETE_SUBSCR	61

#define BINARY_LSHIFT	62
#define BINARY_RSHIFT	63
#define BINARY_AND	64
#define BINARY_XOR	65
#define BINARY_OR	66
#define INPLACE_POWER	67
#define GET_ITER	68

#define PRINT_EXPR	70
#define PRINT_ITEM	71
#define PRINT_NEWLINE	72
#define PRINT_ITEM_TO   73
#define PRINT_NEWLINE_TO 74
#define INPLACE_LSHIFT	75
#define INPLACE_RSHIFT	76
#define INPLACE_AND	77
#define INPLACE_XOR	78
#define INPLACE_OR	79
#define BREAK_LOOP	80
#define WITH_CLEANUP    81
#define LOAD_LOCALS	82
#define RETURN_VALUE	83
#define IMPORT_STAR	84
#define EXEC_STMT	85
#define YIELD_VALUE	86
#define POP_BLOCK	87
#define END_FINALLY	88
#define BUILD_CLASS	89

#define HAVE_ARGUMENT	90	/* Opcodes from here have an argument: */

#define STORE_NAME	90	/* Index in name list */
#define DELETE_NAME	91	/* "" */
#define UNPACK_SEQUENCE	92	/* Number of sequence items */
#define FOR_ITER	93
#define LIST_APPEND	94

#define STORE_ATTR	95	/* Index in name list */
#define DELETE_ATTR	96	/* "" */
#define STORE_GLOBAL	97	/* "" */
#define DELETE_GLOBAL	98	/* "" */
#define DUP_TOPX	99	/* number of items to duplicate */
#define LOAD_CONST	100	/* Index in const list */
#define LOAD_NAME	101	/* Index in name list */
#define BUILD_TUPLE	102	/* Number of tuple items */
#define BUILD_LIST	103	/* Number of list items */
#define BUILD_SET	104     /* Number of set items */
#define BUILD_MAP	105	/* Always zero for now */
#define LOAD_ATTR	106	/* Index in name list */
#define COMPARE_OP	107	/* Comparison operator */
#define IMPORT_NAME	108	/* Index in name list */
#define IMPORT_FROM	109	/* Index in name list */
#define JUMP_FORWARD	110	/* Number of bytes to skip */

#define JUMP_IF_FALSE_OR_POP 111 /* Target byte offset from beginning
                                    of code */
#define JUMP_IF_TRUE_OR_POP 112	/* "" */
#define JUMP_ABSOLUTE	113	/* "" */
#define POP_JUMP_IF_FALSE 114	/* "" */
#define POP_JUMP_IF_TRUE 115	/* "" */

#define LOAD_GLOBAL	116	/* Index in name list */

#define CONTINUE_LOOP	119	/* Start of loop (absolute) */
#define SETUP_LOOP	120	/* Target address (relative) */
#define SETUP_EXCEPT	121	/* "" */
#define SETUP_FINALLY	122	/* "" */

#define LOAD_FAST	124	/* Local variable number */
#define STORE_FAST	125	/* Local variable number */
#define DELETE_FAST	126	/* Local variable number */

#define RAISE_VARARGS	130	/* Number of raise arguments (1, 2 or 3) */
/* CALL_FUNCTION_XXX opcodes defined below depend on this definition */
#define CALL_FUNCTION	131	/* #args + (#kwargs<<8) */
#define MAKE_FUNCTION	132	/* #defaults */
#define BUILD_SLICE 	133	/* Number of items */

#define MAKE_CLOSURE    134     /* #free vars */
#define LOAD_CLOSURE    135     /* Load free variable from closure */
#define LOAD_DEREF      136     /* Load and dereference from closure cell */ 
#define STORE_DEREF     137     /* Store into cell */ 

/* The next 3 opcodes must be contiguous and satisfy
   (CALL_FUNCTION_VAR - CALL_FUNCTION) & 3 == 1  */
#define CALL_FUNCTION_VAR          140	/* #args + (#kwargs<<8) */
#define CALL_FUNCTION_KW           141	/* #args + (#kwargs<<8) */
#define CALL_FUNCTION_VAR_KW       142	/* #args + (#kwargs<<8) */

#define SETUP_WITH 143

/* Support for opargs more than 16 bits long */
#define EXTENDED_ARG  145

#define SET_ADD         146
#define MAP_ADD         147


enum cmp_op {PyCmp_LT=Py_LT, PyCmp_LE=Py_LE, PyCmp_EQ=Py_EQ, PyCmp_NE=Py_NE, PyCmp_GT=Py_GT, PyCmp_GE=Py_GE,
	     PyCmp_IN, PyCmp_NOT_IN, PyCmp_IS, PyCmp_IS_NOT, PyCmp_EXC_MATCH, PyCmp_BAD};

#define HAS_ARG(op) ((op) >= HAVE_ARGUMENT)

#ifdef __cplusplus
}
#endif
#endif /* !Py_OPCODE_H */

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RE-INVENTING THE TELEVISION NEWS BUSINESS*

A revolution in video storytelling

Creating entirely new & cost-effective production methods

From the world leaders in video production training and the creators of Character Driven Storytelling™

*and every other business that uses video

WHAT WE DO

Over the past 35 years, we have designed, built or restructured some of the most powerful news and journalism companies in the world.

We replace the traditional TV news ‘crew’ with one highly trained journalist, working alone with nothing but an iPhone.

No more TV news ‘crews’, no editors and no field producers.

This is television news done the way newspaper journalism is done – one reporter with their electronic pad and pencil.

In doing this, we can cut the cost of production by as much as 75% while increasing ratings and audience engagement.

In the place of conventional TV news ‘packages’ – ie, reporter stand up, interview, b-roll, man on the street, we marry great journalism with Netflix and Hollywood storytelling.

It’s a combination that works.

We have taken most of our clients to #1 in their respective markets.

And it’s not just for news. Any company, any profit, any NGO and anyone else who is online needs to tell their story in compelling yet cost-effective video. We can teach you to do that. Either in person or virtually.

EXAMPLES OF WHAT WE CAN TEACH YOUR STAFF TO PRODUCE

ITAY HOD

Itay Hod, MMJ with KPIX/CBS in San Francisco, took the 5-Day Intensive Video Storytelling Bootcamp in 2018.

Because he works alone, with only an iPhone, he was able to embed himself with a homeless family.

Here’s the story he produced in a one-day turn.

KIET DO

Kiet Do, an MMJ with KPIX/CBS in San Francisco, took the 5-Day Intensive Video Storytelling Bootcamp in 2021.

Here is a story he produced, all on his own, with only an iPhone and in a one-day turn.

TAYLOR SCHAUB

Taylor Schaub, an MMJ with Spectrum News 1 in LA, took the 5-Day Intensive Video Storytelling Bootcamp in 2023.

Here is a story he turned in only one day, using only an iPhone. It was the first video story he ever did and it was nominated for an Emmy.

THE BOOTCAMP

How do we convert stations and whole networks to working in this way?

Since 1988, we have run intensive 5-Day Video Storytelling Bootcamps

We have done these all over the world.

These are hands-on bootcamps, and participants learn an entirely new way of creating TV news stories.

-We shoot at a 3:1 ratio or lower, so turnaround times are fast.

-We go directly from camera to timelilne and edit – no written scripts.  We work in the medium of pictures and sound.

-We are entirely character-driven.

-We are driven by pictures and real events.

-We are focused almost entirely on ’the viewer experience’.

Since 1988, more than 70,000 journalists around the world have taken our bootcamps, either in person on virtualy.

Case Studies

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CBS News

We have started to work with CBS News, bringing our ideas of character-driven storytelling to one of the most successful and biggest networks in the United States. Since beginning to work with them ratings have climbed and more importantly, audience engagement is through the ceiling.

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New York Times Television

We started New York Times Television in 1990 and it was the first paper to be brought into the world of TV. It quickly became one of the most successful non-fiction production companies in the United States. The series and documentaries we produced won many awards including multiple Emmys.

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The BBC

We have been working with the BBC since the year 2000 helping to convert their national news network to our visual storytelling technique. Most recently we have trained teams from their sports, documentaries, and comedy divisions to make character-driven stories using only smartphones.

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Spectrum News

For the past five years we have worked with Spectrum News to introduce and train their journalists on visual, character driven storytelling using smartphones helping to create a different kind of local news for their network of 24-Hour News Stations across the United States.

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The United Nations

In 2006, we were approached by the United Nations. Rather than rely on news outlets, it would be much easier to train the field operatives to produce their own stories. We spent two years working with the UN, training more than 100 of their staff in bootcamps in Geneva and Nairobi.

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The Newark Star-Ledger

We trained 50 print reporters at the paper to shoot and tell their own stories, in conjunction with their print work. We built a TV newsroom in their existing print newsroom – you could not ask for a better set and they began to live stream their stories in conjunction with their print work.

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Mcgraw Hill

We spent two years with McGraw Hill, training more than 150 of their staffers, making them completely video literate. McGraw/Hill media properties we transit included Business Week, Aviation Week, (what was the name of the architecture magazine), and JD Power and Associates.

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Voice of America

In 1990, we were approached by The Voice of America, the official broadcasting agency for the United States Government. When we met with VOA, they were only a short wave radio broadcaster, but working with them, we took them into television, launching VOA-TV.

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Oyster Yachts

British based Oyster Yachts makes some of the finest yachts in the world. Like every other company, they had to find a way to feed the never-ending video demands of social media – sites like Instagram and TikTok. We trained the Oyster staff to tell their own stories, using only iPhones.

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Scottish Environmental Protection Agency

We were approached by SEPA, the Scottish Environmental Protection Agency because they had to continually find a way to ‘feed the media beast’. The result was that SEPA was able to tell their own stories, whenever they wanted, and at almost no additional cost.

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Michael on Media

Michael Rosenblum has been writing about the media since 1988. His work and ideas have appeared in The Guardian, The Huffington Post, Ilkeston Life and many other publications.

He has been blogging regularly for the past 35 years on this subject. Having taught media studies at Columbia University, NYU and now the University of Oxford, he is considered an expert on this subject.

Continue reading this post or look back at previous posts.

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