/* pnglibconf.h - library build configuration */ /* libpng version 1.5.13 - September 27, 2012 */ /* Copyright (c) 1998-2011 Glenn Randers-Pehrson */ /* This code is released under the libpng license. */ /* For conditions of distribution and use, see the disclaimer */ /* and license in png.h */ /* pnglibconf.h */ /* Machine generated file: DO NOT EDIT */ /* Derived from: scripts/pnglibconf.dfa */ #ifndef PNGLCONF_H #define PNGLCONF_H /* settings */ #define PNG_MAX_GAMMA_8 11 #define PNG_CALLOC_SUPPORTED #define PNG_QUANTIZE_RED_BITS 5 #define PNG_QUANTIZE_GREEN_BITS 5 #define PNG_API_RULE 0 #define PNG_QUANTIZE_BLUE_BITS 5 #define PNG_USER_CHUNK_CACHE_MAX 1000 #define PNG_sCAL_PRECISION 5 #define PNG_COST_SHIFT 3 #define PNG_WEIGHT_SHIFT 8 #define PNG_USER_CHUNK_MALLOC_MAX 1000000000 #define PNG_DEFAULT_READ_MACROS 1 #define PNG_ZBUF_SIZE 8192 #define PNG_GAMMA_THRESHOLD_FIXED 5000 /* end of settings */ /* options */ #define PNG_INFO_IMAGE_SUPPORTED 1 #define PNG_HANDLE_AS_UNKNOWN_SUPPORTED 1 #define PNG_POINTER_INDEXING_SUPPORTED 1 #define PNG_WARNINGS_SUPPORTED 1 #define PNG_FLOATING_ARITHMETIC_SUPPORTED 1 #define PNG_WRITE_SUPPORTED 1 #define PNG_WRITE_INTERLACING_SUPPORTED 1 #define PNG_WRITE_16BIT_SUPPORTED 1 #define PNG_EASY_ACCESS_SUPPORTED 1 #define PNG_ALIGN_MEMORY_SUPPORTED 1 #define PNG_CHECK_FOR_INVALID_INDEX_SUPPORTED 1 #define PNG_WRITE_WEIGHTED_FILTER_SUPPORTED 1 #define PNG_WRITE_UNKNOWN_CHUNKS_SUPPORTED 1 #define PNG_BUILD_GRAYSCALE_PALETTE_SUPPORTED 1 #define PNG_FIXED_POINT_SUPPORTED 1 /*#undef PNG_ERROR_NUMBERS_SUPPORTED*/ #define PNG_ERROR_TEXT_SUPPORTED 1 #define PNG_READ_SUPPORTED 1 #define PNG_BENIGN_ERRORS_SUPPORTED 1 #define PNG_SETJMP_SUPPORTED 1 #define PNG_TIME_RFC1123_SUPPORTED 1 #define PNG_WRITE_FLUSH_SUPPORTED 1 #define PNG_MNG_FEATURES_SUPPORTED 1 #define PNG_SAFE_LIMITS_SUPPORTED 1 #define PNG_FLOATING_POINT_SUPPORTED 1 #define PNG_WRITE_OPTIMIZE_CMF_SUPPORTED 1 #define PNG_INCH_CONVERSIONS_SUPPORTED 1 #define PNG_STDIO_SUPPORTED 1 #define PNG_READ_UNKNOWN_CHUNKS_SUPPORTED 1 #define PNG_USER_MEM_SUPPORTED 1 #define PNG_IO_STATE_SUPPORTED 1 #define PNG_READ_ANCILLARY_CHUNKS_SUPPORTED 1 #define PNG_WRITE_INT_FUNCTIONS_SUPPORTED 1 #define PNG_WRITE_ANCILLARY_CHUNKS_SUPPORTED 1 #define PNG_WRITE_FILTER_SUPPORTED 1 #define PNG_WRITE_zTXt_SUPPORTED 1 #define PNG_WRITE_iCCP_SUPPORTED 1 #define PNG_READ_TRANSFORMS_SUPPORTED 1 #define PNG_READ_bKGD_SUPPORTED 1 #define PNG_UNKNOWN_CHUNKS_SUPPORTED 1 #define PNG_READ_sCAL_SUPPORTED 1 #define PNG_WRITE_hIST_SUPPORTED 1 #define PNG_READ_OPT_PLTE_SUPPORTED 1 #define PNG_WRITE_gAMA_SUPPORTED 1 #define PNG_READ_GRAY_TO_RGB_SUPPORTED 1 #define PNG_WRITE_pCAL_SUPPORTED 1 #define PNG_READ_INVERT_ALPHA_SUPPORTED 1 #define PNG_WRITE_TRANSFORMS_SUPPORTED 1 #define PNG_READ_ALPHA_MODE_SUPPORTED 1 #define PNG_WRITE_CHECK_FOR_INVALID_INDEX_SUPPORTED 1 #define PNG_READ_sBIT_SUPPORTED 1 #define PNG_WRITE_CUSTOMIZE_ZTXT_COMPRESSION_SUPPORTED 1 #define PNG_READ_PACK_SUPPORTED 1 #define PNG_WRITE_iTXt_SUPPORTED 1 #define PNG_WRITE_SWAP_SUPPORTED 1 #define PNG_READ_cHRM_SUPPORTED 1 #define PNG_READ_STRIP_16_TO_8_SUPPORTED 1 #define PNG_WRITE_tIME_SUPPORTED 1 #define PNG_READ_INTERLACING_SUPPORTED 1 #define PNG_READ_tRNS_SUPPORTED 1 #define PNG_WRITE_pHYs_SUPPORTED 1 #define PNG_WRITE_INVERT_SUPPORTED 1 #define PNG_READ_RGB_TO_GRAY_SUPPORTED 1 #define PNG_WRITE_sRGB_SUPPORTED 1 #define PNG_READ_oFFs_SUPPORTED 1 #define PNG_WRITE_FILLER_SUPPORTED 1 #define PNG_WRITE_SHIFT_SUPPORTED 1 #define PNG_PROGRESSIVE_READ_SUPPORTED 1 #define PNG_READ_SHIFT_SUPPORTED 1 #define PNG_CONVERT_tIME_SUPPORTED 1 #define PNG_READ_USER_TRANSFORM_SUPPORTED 1 #define PNG_READ_INT_FUNCTIONS_SUPPORTED 1 #define PNG_READ_USER_CHUNKS_SUPPORTED 1 #define PNG_READ_hIST_SUPPORTED 1 #define PNG_READ_16BIT_SUPPORTED 1 #define PNG_READ_SWAP_ALPHA_SUPPORTED 1 #define PNG_READ_COMPOSITE_NODIV_SUPPORTED 1 #define PNG_SEQUENTIAL_READ_SUPPORTED 1 #define PNG_READ_BACKGROUND_SUPPORTED 1 #define PNG_READ_QUANTIZE_SUPPORTED 1 #define PNG_READ_zTXt_SUPPORTED 1 #define PNG_USER_LIMITS_SUPPORTED 1 #define PNG_READ_iCCP_SUPPORTED 1 #define PNG_READ_STRIP_ALPHA_SUPPORTED 1 #define PNG_READ_PACKSWAP_SUPPORTED 1 #define PNG_READ_sRGB_SUPPORTED 1 #define PNG_READ_CHECK_FOR_INVALID_INDEX_SUPPORTED 1 #define PNG_READ_pCAL_SUPPORTED 1 #define PNG_WRITE_sPLT_SUPPORTED 1 #define PNG_READ_iTXt_SUPPORTED 1 #define PNG_READ_SWAP_SUPPORTED 1 #define PNG_READ_tIME_SUPPORTED 1 #define PNG_READ_pHYs_SUPPORTED 1 #define PNG_WRITE_SWAP_ALPHA_SUPPORTED 1 #define PNG_READ_SCALE_16_TO_8_SUPPORTED 1 #define PNG_WRITE_BGR_SUPPORTED 1 #define PNG_USER_CHUNKS_SUPPORTED 1 #define PNG_CONSOLE_IO_SUPPORTED 1 #define PNG_WRITE_COMPRESSED_TEXT_SUPPORTED 1 #define PNG_WRITE_PACK_SUPPORTED 1 #define PNG_READ_FILLER_SUPPORTED 1 #define PNG_WRITE_bKGD_SUPPORTED 1 #define PNG_WRITE_tRNS_SUPPORTED 1 #define PNG_READ_sPLT_SUPPORTED 1 #define PNG_WRITE_sCAL_SUPPORTED 1 #define PNG_WRITE_oFFs_SUPPORTED 1 #define PNG_SET_USER_LIMITS_SUPPORTED 1 #define PNG_WRITE_sBIT_SUPPORTED 1 #define PNG_READ_INVERT_SUPPORTED 1 #define PNG_WRITE_cHRM_SUPPORTED 1 #define PNG_16BIT_SUPPORTED 1 #define PNG_WRITE_USER_TRANSFORM_SUPPORTED 1 #define PNG_READ_BGR_SUPPORTED 1 #define PNG_WRITE_PACKSWAP_SUPPORTED 1 #define PNG_WRITE_INVERT_ALPHA_SUPPORTED 1 #define PNG_sCAL_SUPPORTED 1 #define PNG_SET_CHUNK_CACHE_LIMIT_SUPPORTED 1 #define PNG_READ_GAMMA_SUPPORTED 1 #define PNG_USER_TRANSFORM_INFO_SUPPORTED 1 #define PNG_sBIT_SUPPORTED 1 #define PNG_SET_CHUNK_MALLOC_LIMIT_SUPPORTED 1 #define PNG_cHRM_SUPPORTED 1 #define PNG_bKGD_SUPPORTED 1 #define PNG_tRNS_SUPPORTED 1 #define PNG_oFFs_SUPPORTED 1 #define PNG_READ_EXPAND_16_SUPPORTED 1 #define PNG_USER_TRANSFORM_PTR_SUPPORTED 1 #define PNG_WRITE_TEXT_SUPPORTED 1 #define PNG_READ_COMPRESSED_TEXT_SUPPORTED 1 #define PNG_hIST_SUPPORTED 1 #define PNG_zTXt_SUPPORTED 1 #define PNG_iCCP_SUPPORTED 1 #define PNG_sRGB_SUPPORTED 1 #define PNG_pCAL_SUPPORTED 1 #define PNG_WRITE_tEXt_SUPPORTED 1 #define PNG_CHECK_cHRM_SUPPORTED 1 #define PNG_READ_gAMA_SUPPORTED 1 #define PNG_iTXt_SUPPORTED 1 #define PNG_tIME_SUPPORTED 1 #define PNG_READ_EXPAND_SUPPORTED 1 #define PNG_pHYs_SUPPORTED 1 #define PNG_READ_TEXT_SUPPORTED 1 #define PNG_SAVE_INT_32_SUPPORTED 1 #define PNG_sPLT_SUPPORTED 1 #define PNG_READ_tEXt_SUPPORTED 1 #define PNG_gAMA_SUPPORTED 1 #define PNG_TEXT_SUPPORTED 1 #define PNG_tEXt_SUPPORTED 1 /* end of options */ #endif /* PNGLCONF_H */

RE-INVENTING THE TELEVISION NEWS BUSINESS*

A revolution in video storytelling

Creating entirely new & cost-effective production methods

From the world leaders in video production training and the creators of Character Driven Storytelling™

*and every other business that uses video

WHAT WE DO

Over the past 35 years, we have designed, built or restructured some of the most powerful news and journalism companies in the world.

We replace the traditional TV news ‘crew’ with one highly trained journalist, working alone with nothing but an iPhone.

No more TV news ‘crews’, no editors and no field producers.

This is television news done the way newspaper journalism is done – one reporter with their electronic pad and pencil.

In doing this, we can cut the cost of production by as much as 75% while increasing ratings and audience engagement.

In the place of conventional TV news ‘packages’ – ie, reporter stand up, interview, b-roll, man on the street, we marry great journalism with Netflix and Hollywood storytelling.

It’s a combination that works.

We have taken most of our clients to #1 in their respective markets.

And it’s not just for news. Any company, any profit, any NGO and anyone else who is online needs to tell their story in compelling yet cost-effective video. We can teach you to do that. Either in person or virtually.

EXAMPLES OF WHAT WE CAN TEACH YOUR STAFF TO PRODUCE

ITAY HOD

Itay Hod, MMJ with KPIX/CBS in San Francisco, took the 5-Day Intensive Video Storytelling Bootcamp in 2018.

Because he works alone, with only an iPhone, he was able to embed himself with a homeless family.

Here’s the story he produced in a one-day turn.

KIET DO

Kiet Do, an MMJ with KPIX/CBS in San Francisco, took the 5-Day Intensive Video Storytelling Bootcamp in 2021.

Here is a story he produced, all on his own, with only an iPhone and in a one-day turn.

TAYLOR SCHAUB

Taylor Schaub, an MMJ with Spectrum News 1 in LA, took the 5-Day Intensive Video Storytelling Bootcamp in 2023.

Here is a story he turned in only one day, using only an iPhone. It was the first video story he ever did and it was nominated for an Emmy.

THE BOOTCAMP

How do we convert stations and whole networks to working in this way?

Since 1988, we have run intensive 5-Day Video Storytelling Bootcamps

We have done these all over the world.

These are hands-on bootcamps, and participants learn an entirely new way of creating TV news stories.

-We shoot at a 3:1 ratio or lower, so turnaround times are fast.

-We go directly from camera to timelilne and edit – no written scripts. We work in the medium of pictures and sound.

-We are entirely character-driven.

-We are driven by pictures and real events.

-We are focused almost entirely on ’the viewer experience’.

Since 1988, more than 70,000 journalists around the world have taken our bootcamps, either in person on virtualy.

Case Studies

CBS News

We have started to work with CBS News, bringing our ideas of character-driven storytelling to one of the most successful and biggest networks in the United States. Since beginning to work with them ratings have climbed and more importantly, audience engagement is through the ceiling.

Learn More

New York Times Television

We started New York Times Television in 1990 and it was the first paper to be brought into the world of TV. It quickly became one of the most successful non-fiction production companies in the United States. The series and documentaries we produced won many awards including multiple Emmys.

Learn More

The BBC

We have been working with the BBC since the year 2000 helping to convert their national news network to our visual storytelling technique. Most recently we have trained teams from their sports, documentaries, and comedy divisions to make character-driven stories using only smartphones.

Learn More

Spectrum News

For the past five years we have worked with Spectrum News to introduce and train their journalists on visual, character driven storytelling using smartphones helping to create a different kind of local news for their network of 24-Hour News Stations across the United States.

Learn More

The United Nations

In 2006, we were approached by the United Nations. Rather than rely on news outlets, it would be much easier to train the field operatives to produce their own stories. We spent two years working with the UN, training more than 100 of their staff in bootcamps in Geneva and Nairobi.

Learn More

The Newark Star-Ledger

We trained 50 print reporters at the paper to shoot and tell their own stories, in conjunction with their print work. We built a TV newsroom in their existing print newsroom – you could not ask for a better set and they began to live stream their stories in conjunction with their print work.

Learn More

Mcgraw Hill

We spent two years with McGraw Hill, training more than 150 of their staffers, making them completely video literate. McGraw/Hill media properties we transit included Business Week, Aviation Week, (what was the name of the architecture magazine), and JD Power and Associates.

Learn More

Voice of America

In 1990, we were approached by The Voice of America, the official broadcasting agency for the United States Government. When we met with VOA, they were only a short wave radio broadcaster, but working with them, we took them into television, launching VOA-TV.

Learn More

Oyster Yachts

British based Oyster Yachts makes some of the finest yachts in the world. Like every other company, they had to find a way to feed the never-ending video demands of social media – sites like Instagram and TikTok. We trained the Oyster staff to tell their own stories, using only iPhones.

Learn More

Scottish Environmental Protection Agency

We were approached by SEPA, the Scottish Environmental Protection Agency because they had to continually find a way to ‘feed the media beast’. The result was that SEPA was able to tell their own stories, whenever they wanted, and at almost no additional cost.

Learn More

Michael on Media

Michael Rosenblum has been writing about the media since 1988. His work and ideas have appeared in The Guardian, The Huffington Post, Ilkeston Life and many other publications.

He has been blogging regularly for the past 35 years on this subject. Having taught media studies at Columbia University, NYU and now the University of Oxford, he is considered an expert on this subject.

Continue reading this post or look back at previous posts.

Do You Have Questions About Learning Video Skills?

If you would like to know more about our courses contact us and one of our training advisors will be happy to call you.

Your IP : 216.73.216.209

RE-INVENTING THE TELEVISION NEWS BUSINESS*

A revolution in video storytelling

Creating entirely new & cost-effective production methods

From the world leaders in video production training and the creators of Character Driven Storytelling™

*and every other business that uses video

WHAT WE DO

Over the past 35 years, we have designed, built or restructured some of the most powerful news and journalism companies in the world.

We replace the traditional TV news ‘crew’ with one highly trained journalist, working alone with nothing but an iPhone.

No more TV news ‘crews’, no editors and no field producers.

This is television news done the way newspaper journalism is done – one reporter with their electronic pad and pencil.

In doing this, we can cut the cost of production by as much as 75% while increasing ratings and audience engagement.

In the place of conventional TV news ‘packages’ – ie, reporter stand up, interview, b-roll, man on the street, we marry great journalism with Netflix and Hollywood storytelling.

It’s a combination that works.

We have taken most of our clients to #1 in their respective markets.

And it’s not just for news. Any company, any profit, any NGO and anyone else who is online needs to tell their story in compelling yet cost-effective video. We can teach you to do that. Either in person or virtually.

EXAMPLES OF WHAT WE CAN TEACH YOUR STAFF TO PRODUCE

ITAY HOD

Itay Hod, MMJ with KPIX/CBS in San Francisco, took the 5-Day Intensive Video Storytelling Bootcamp in 2018.

Because he works alone, with only an iPhone, he was able to embed himself with a homeless family.

Here’s the story he produced in a one-day turn.

KIET DO

Kiet Do, an MMJ with KPIX/CBS in San Francisco, took the 5-Day Intensive Video Storytelling Bootcamp in 2021.

Here is a story he produced, all on his own, with only an iPhone and in a one-day turn.

TAYLOR SCHAUB

Taylor Schaub, an MMJ with Spectrum News 1 in LA, took the 5-Day Intensive Video Storytelling Bootcamp in 2023.

Here is a story he turned in only one day, using only an iPhone. It was the first video story he ever did and it was nominated for an Emmy.

THE BOOTCAMP

How do we convert stations and whole networks to working in this way?

Since 1988, we have run intensive 5-Day Video Storytelling Bootcamps

We have done these all over the world.

These are hands-on bootcamps, and participants learn an entirely new way of creating TV news stories.

-We shoot at a 3:1 ratio or lower, so turnaround times are fast.

-We go directly from camera to timelilne and edit – no written scripts. We work in the medium of pictures and sound.

-We are entirely character-driven.

-We are driven by pictures and real events.

-We are focused almost entirely on ’the viewer experience’.

Since 1988, more than 70,000 journalists around the world have taken our bootcamps, either in person on virtualy.

Case Studies

CBS News

New York Times Television

The BBC

Spectrum News

The United Nations

The Newark Star-Ledger

Mcgraw Hill

Voice of America

Oyster Yachts

Scottish Environmental Protection Agency

Michael on Media