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# 
#
# This file is used by the man-db package to configure the man and cat paths.
# It is also used to provide a manpath for those without one by examining
# their PATH environment variable. For details see the manpath(5) man page.
#
# Lines beginning with `#' are comments and are ignored. Any combination of
# tabs or spaces may be used as `whitespace' separators.
#
# There are three mappings allowed in this file:
# --------------------------------------------------------
# MANDATORY_MANPATH			manpath_element
# MANPATH_MAP		path_element	manpath_element
# MANDB_MAP		global_manpath	[relative_catpath]
#---------------------------------------------------------
# every automatically generated MANPATH includes these fields
#
#MANDATORY_MANPATH 			/usr/src/pvm3/man
#
MANDATORY_MANPATH			/usr/man
MANDATORY_MANPATH			/usr/share/man
MANDATORY_MANPATH			/usr/local/share/man
#---------------------------------------------------------
# set up PATH to MANPATH mapping
# ie. what man tree holds man pages for what binary directory.
#
#		*PATH*        ->	*MANPATH*
#
MANPATH_MAP	/bin			/usr/share/man
MANPATH_MAP	/usr/bin		/usr/share/man
MANPATH_MAP	/sbin			/usr/share/man
MANPATH_MAP	/usr/sbin		/usr/share/man
MANPATH_MAP	/usr/local/bin		/usr/local/man
MANPATH_MAP	/usr/local/bin		/usr/local/share/man
MANPATH_MAP	/usr/local/sbin		/usr/local/man
MANPATH_MAP	/usr/local/sbin		/usr/local/share/man
MANPATH_MAP	/usr/X11R6/bin		/usr/X11R6/man
MANPATH_MAP	/usr/bin/X11		/usr/X11R6/man
MANPATH_MAP	/usr/games		/usr/share/man
MANPATH_MAP	/opt/bin		/opt/man
MANPATH_MAP	/opt/sbin		/opt/man
#---------------------------------------------------------
# For a manpath element to be treated as a system manpath (as most of those
# above should normally be), it must be mentioned below. Each line may have
# an optional extra string indicating the catpath associated with the
# manpath. If no catpath string is used, the catpath will default to the
# given manpath.
#
# You *must* provide all system manpaths, including manpaths for alternate
# operating systems, locale specific manpaths, and combinations of both, if
# they exist, otherwise the permissions of the user running man/mandb will
# be used to manipulate the manual pages. Also, mandb will not initialise
# the database cache for any manpaths not mentioned below unless explicitly
# requested to do so.
#
# In a per-user configuration file, this directive only controls the
# location of catpaths and the creation of database caches; it has no effect
# on privileges.
#
# Any manpaths that are subdirectories of other manpaths must be mentioned
# *before* the containing manpath. E.g. /usr/man/preformat must be listed
# before /usr/man.
#
#		*MANPATH*     ->	*CATPATH*
#
MANDB_MAP	/usr/man		/var/cache/man/fsstnd
MANDB_MAP	/usr/share/man		/var/cache/man
MANDB_MAP	/usr/local/man		/var/cache/man/oldlocal
MANDB_MAP	/usr/local/share/man	/var/cache/man/local
MANDB_MAP	/usr/X11R6/man		/var/cache/man/X11R6
MANDB_MAP	/opt/man		/var/cache/man/opt
#
#---------------------------------------------------------
# Program definitions.  These are commented out by default as the value
# of the definition is already the default.  To change: uncomment a
# definition and modify it.
#
#DEFINE 	pager	less -s
#DEFINE 	cat	cat
#DEFINE 	tr	tr '\255\267\264\327' '\055\157\047\170'
#DEFINE		grep	grep
#DEFINE 	troff 	groff -mandoc
#DEFINE 	nroff 	nroff -mandoc -c
#DEFINE 	eqn 	eqn
#DEFINE 	neqn	neqn
#DEFINE 	tbl 	tbl
#DEFINE 	col 	col
#DEFINE 	vgrind 	
#DEFINE 	refer 	refer
#DEFINE 	grap 	
#DEFINE 	pic 	pic -S
#
#DEFINE		compressor	gzip -c7
#---------------------------------------------------------
# Misc definitions: same as program definitions above.
#
#DEFINE		whatis_grep_flags		-i
#DEFINE		apropos_grep_flags		-iEw
#DEFINE		apropos_regex_grep_flags	-iE
#---------------------------------------------------------
# Section names. Manual sections will be searched in the order listed here;
# the default is 1, n, l, 8, 3, 0, 2, 5, 4, 9, 6, 7. Multiple SECTION
# directives may be given for clarity, and will be concatenated together in
# the expected way.
# If a particular extension is not in this list (say, 1mh), it will be
# displayed with the rest of the section it belongs to. The effect of this
# is that you only need to explicitly list extensions if you want to force a
# particular order. Sections with extensions should usually be adjacent to
# their main section (e.g. "1 1mh 8 ...").
#
SECTION		1 1p 8 2 3 3p 4 5 6 7 9 0p n l p o 1x 2x 3x 4x 5x 6x 7x 8x
#
#---------------------------------------------------------
# Range of terminal widths permitted when displaying cat pages. If the
# terminal falls outside this range, cat pages will not be created (if
# missing) or displayed.
#
#MINCATWIDTH	80
#MAXCATWIDTH	80
#
# If CATWIDTH is set to a non-zero number, cat pages will always be
# formatted for a terminal of the given width, regardless of the width of
# the terminal actually being used. This should generally be within the
# range set by MINCATWIDTH and MAXCATWIDTH.
#
#CATWIDTH	0
#
#---------------------------------------------------------
# Flags.
# NOCACHE keeps man from creating cat pages.
#NOCACHE

Rosenblum TV: Video training, virtual workshops, classes, tutorials
logologologologo
  • About
  • What We Do
  • Our Clients
  • Case Studies
    • The BBC
    • CBS News
    • New York Times Television
    • Spectrum News
    • The Newark Star-Ledger
    • The United Nations
    • McGraw/Hill
    • Oyster Yachts
    • Scottish Environmental Protection Agency
  • The Power of Storytelling
  • Why iPhones?
  • Michael on Media
  • Books
  • Contact
  • About
  • What We Do
  • Our Clients
  • Case Studies
    • The BBC
    • CBS News
    • New York Times Television
    • Spectrum News
    • The Newark Star-Ledger
    • The United Nations
    • McGraw/Hill
    • Oyster Yachts
    • Scottish Environmental Protection Agency
  • The Power of Storytelling
  • Why iPhones?
  • Michael on Media
  • Books
  • Contact

RE-INVENTING THE TELEVISION NEWS BUSINESS*

A revolution in video storytelling

Creating entirely new & cost-effective production methods

From the world leaders in video production training and the creators of Character Driven Storytelling™

*and every other business that uses video

WHAT WE DO

Over the past 35 years, we have designed, built or restructured some of the most powerful news and journalism companies in the world.

We replace the traditional TV news ‘crew’ with one highly trained journalist, working alone with nothing but an iPhone.

No more TV news ‘crews’, no editors and no field producers.

This is television news done the way newspaper journalism is done – one reporter with their electronic pad and pencil.

In doing this, we can cut the cost of production by as much as 75% while increasing ratings and audience engagement.

In the place of conventional TV news ‘packages’ – ie, reporter stand up, interview, b-roll, man on the street, we marry great journalism with Netflix and Hollywood storytelling.

It’s a combination that works.

We have taken most of our clients to #1 in their respective markets.

And it’s not just for news. Any company, any profit, any NGO and anyone else who is online needs to tell their story in compelling yet cost-effective video. We can teach you to do that. Either in person or virtually.

EXAMPLES OF WHAT WE CAN TEACH YOUR STAFF TO PRODUCE

ITAY HOD

Itay Hod, MMJ with KPIX/CBS in San Francisco, took the 5-Day Intensive Video Storytelling Bootcamp in 2018.

Because he works alone, with only an iPhone, he was able to embed himself with a homeless family.

Here’s the story he produced in a one-day turn.

KIET DO

Kiet Do, an MMJ with KPIX/CBS in San Francisco, took the 5-Day Intensive Video Storytelling Bootcamp in 2021.

Here is a story he produced, all on his own, with only an iPhone and in a one-day turn.

TAYLOR SCHAUB

Taylor Schaub, an MMJ with Spectrum News 1 in LA, took the 5-Day Intensive Video Storytelling Bootcamp in 2023.

Here is a story he turned in only one day, using only an iPhone. It was the first video story he ever did and it was nominated for an Emmy.

THE BOOTCAMP

How do we convert stations and whole networks to working in this way?

Since 1988, we have run intensive 5-Day Video Storytelling Bootcamps

We have done these all over the world.

These are hands-on bootcamps, and participants learn an entirely new way of creating TV news stories.

-We shoot at a 3:1 ratio or lower, so turnaround times are fast.

-We go directly from camera to timelilne and edit – no written scripts.  We work in the medium of pictures and sound.

-We are entirely character-driven.

-We are driven by pictures and real events.

-We are focused almost entirely on ’the viewer experience’.

Since 1988, more than 70,000 journalists around the world have taken our bootcamps, either in person on virtualy.

Case Studies

CBS Case Study Logos
CBS News

We have started to work with CBS News, bringing our ideas of character-driven storytelling to one of the most successful and biggest networks in the United States. Since beginning to work with them ratings have climbed and more importantly, audience engagement is through the ceiling.

Learn More
NYT Case Study Logos
New York Times Television

We started New York Times Television in 1990 and it was the first paper to be brought into the world of TV. It quickly became one of the most successful non-fiction production companies in the United States. The series and documentaries we produced won many awards including multiple Emmys.

Learn More
BBC Case Study Logos
The BBC

We have been working with the BBC since the year 2000 helping to convert their national news network to our visual storytelling technique. Most recently we have trained teams from their sports, documentaries, and comedy divisions to make character-driven stories using only smartphones.

Learn More
Spectrum Case Study Logos
Spectrum News

For the past five years we have worked with Spectrum News to introduce and train their journalists on visual, character driven storytelling using smartphones helping to create a different kind of local news for their network of 24-Hour News Stations across the United States.

Learn More
UN Case Study Logos
The United Nations

In 2006, we were approached by the United Nations. Rather than rely on news outlets, it would be much easier to train the field operatives to produce their own stories. We spent two years working with the UN, training more than 100 of their staff in bootcamps in Geneva and Nairobi.

Learn More
Star Ledger Case Study Logos
The Newark Star-Ledger

We trained 50 print reporters at the paper to shoot and tell their own stories, in conjunction with their print work. We built a TV newsroom in their existing print newsroom – you could not ask for a better set and they began to live stream their stories in conjunction with their print work.

Learn More
Mcgraw Hill Case Study Logos
Mcgraw Hill

We spent two years with McGraw Hill, training more than 150 of their staffers, making them completely video literate. McGraw/Hill media properties we transit included Business Week, Aviation Week, (what was the name of the architecture magazine), and JD Power and Associates.

Learn More
VOA Case Study Logos
Voice of America

In 1990, we were approached by The Voice of America, the official broadcasting agency for the United States Government. When we met with VOA, they were only a short wave radio broadcaster, but working with them, we took them into television, launching VOA-TV.

Learn More
Oyster Case Study Logos
Oyster Yachts

British based Oyster Yachts makes some of the finest yachts in the world. Like every other company, they had to find a way to feed the never-ending video demands of social media – sites like Instagram and TikTok. We trained the Oyster staff to tell their own stories, using only iPhones.

Learn More
SEPA Case Study Logos
Scottish Environmental Protection Agency

We were approached by SEPA, the Scottish Environmental Protection Agency because they had to continually find a way to ‘feed the media beast’. The result was that SEPA was able to tell their own stories, whenever they wanted, and at almost no additional cost.

Learn More
Image 11-11-22 at 6.25 PM

Michael on Media

Michael Rosenblum has been writing about the media since 1988. His work and ideas have appeared in The Guardian, The Huffington Post, Ilkeston Life and many other publications.

He has been blogging regularly for the past 35 years on this subject. Having taught media studies at Columbia University, NYU and now the University of Oxford, he is considered an expert on this subject.

Continue reading this post or look back at previous posts.

Read More

Do You Have Questions About Learning Video Skills?

If you would like to know more about our courses contact us and one of our training advisors will be happy to call you.

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