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Current Path : /etc/
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Current File : //etc/DIR_COLORS.lightbgcolor

# Configuration file for the color ls utility - modified for gray backgrounds
# Synchronized with coreutils 8.5 dircolors
# This file goes in the /etc directory, and must be world readable.
# You can copy this file to .dir_colors in your $HOME directory to override
# the system defaults.

# COLOR needs one of these arguments: 'tty' colorizes output to ttys, but not
# pipes. 'all' adds color characters to all output. 'none' shuts colorization
# off.
COLOR tty

# Extra command line options for ls go here.
# Basically these ones are:
#  -F = show '/' for dirs, '*' for executables, etc.
#  -T 0 = don't trust tab spacing when formatting ls output.
OPTIONS -F -T 0

# Below, there should be one TERM entry for each termtype that is colorizable
TERM linux
TERM console
TERM con132x25
TERM con132x30
TERM con132x43
TERM con132x60
TERM con80x25
TERM con80x28
TERM con80x30
TERM con80x43
TERM con80x50
TERM con80x60
TERM cons25
TERM xterm
TERM xterm-16color
TERM xterm-88color
TERM xterm-256color
TERM rxvt
TERM rxvt-256color
TERM rxvt-unicode
TERM rxvt-unicode-256color
TERM rxvt-unicode256
TERM xterm-color
TERM color-xterm
TERM vt100
TERM dtterm
TERM color_xterm

# EIGHTBIT, followed by '1' for on, '0' for off. (8-bit output)
EIGHTBIT 1

# Below are the color init strings for the basic file types. A color init
# string consists of one or more of the following numeric codes:
# Attribute codes:
# 00=none 01=bold 04=underscore 05=blink 07=reverse 08=concealed
# Text color codes:
# 30=black 31=red 32=green 33=yellow 34=blue 35=magenta 36=cyan 37=white
# Background color codes:
# 40=black 41=red 42=green 43=yellow 44=blue 45=magenta 46=cyan 47=white
#NORMAL 00	# no color code at all
#FILE 00	# normal file, use no color at all
RESET 0
DIR 00;34	# directory
LINK 00;36	# symbolic link (If you set this to 'target' instead of a
		# numerical value, the color is as for the file pointed to.)
MULTIHARDLINK 00 # regular file with more than one link
FIFO 40;33	# pipe
SOCK 00;35	# socket
DOOR 00;35	# door
BLK 40;33;01	# block device driver
CHR 40;33;01	# character device driver
ORPHAN 40;31;01  # symlink to nonexistent file, or non-stat'able file
MISSING 01;05;37;41 # ... and the files they point to
SETUID 37;41	# file that is setuid (u+s)
SETGID 30;43	# file that is setgid (g+s)
CAPABILITY 30;41	# file with capability
STICKY_OTHER_WRITABLE 30;42 # dir that is sticky and other-writable (+t,o+w)
OTHER_WRITABLE 34;42 # dir that is other-writable (o+w) and not sticky
STICKY 37;44	# dir with the sticky bit set (+t) and not other-writable


# This is for files with execute permission:
EXEC 00;32

# List any file extensions like '.gz' or '.tar' that you would like ls
# to colorize below. Put the extension, a space, and the color init string.
# (and any comments you want to add after a '#')
#.cmd 00;32 # executables (green)
#.exe 00;32
#.com 00;32
#.btm 00;32
#.bat 00;32
#.sh  00;32
#.csh 00;32

# archives or compressed (red)
.tar 00;31
.tgz 00;31
.arc 00;31
.arj 00;31
.taz 00;31
.lha 00;31
.lz4 00;31
.lzh 00;31
.lzma 00;31
.tlz 00;31
.txz 00;31
.tzo 00;31
.t7z 00;31
.zip 00;31
.z   00;31
.Z   00;31
.dz  00;31
.gz  00;31
.lrz 00;31
.lz  00;31
.lzo 00;31
.xz  00;31
.bz2 00;31
.bz  00;31
.tbz 00;31
.tbz2 00;31
.tz  00;31
.deb 00;31
.rpm 00;31
.jar 00;31
.war 00;31
.ear 00;31
.sar 00;31
.rar 00;31
.alz 00;31
.ace 00;31
.zoo 00;31
.cpio 00;31
.7z  00;31
.rz  00;31
.cab 00;31

# image formats (magenta)
.jpg 00;35
.jpeg 00;35
.gif 00;35
.bmp 00;35
.pbm 00;35
.pgm 00;35
.ppm 00;35
.tga 00;35
.xbm 00;35
.xpm 00;35
.tif 00;35
.tiff 00;35
.png 00;35
.svg 00;35
.svgz 00;35
.mng 00;35
.pcx 00;35
.mov 00;35
.mpg 00;35
.mpeg 00;35
.m2v 00;35
.mkv 00;35
.webm 00;35
.ogm 00;35
.mp4 00;35
.m4v 00;35
.mp4v 00;35
.vob 00;35
.qt  00;35
.nuv 00;35
.wmv 00;35
.asf 00;35
.rm  00;35
.rmvb 00;35
.flc 00;35
.avi 00;35
.fli 00;35
.flv 00;35
.gl 00;35
.dl 00;35
.xcf 00;35
.xwd 00;35
.yuv 00;35
.cgm 00;35
.emf 00;35

# http://wiki.xiph.org/index.php/MIME_Types_and_File_Extensions
.axv 00;35
.anx 00;35
.ogv 00;35
.ogx 00;35

# audio formats (cyan)
.aac 00;36
.au 00;36
.flac 00;36
.mid 00;36
.midi 00;36
.mka 00;36
.mp3 00;36
.mpc 00;36
.ogg 00;36
.ra 00;36
.wav 00;36

# http://wiki.xiph.org/index.php/MIME_Types_and_File_Extensions
.axa 00;36
.oga 00;36
.spx 00;36
.xspf 00;36

# colorize binary documents (brown)
#.pdf 00;33
#.ps 00;33
#.ps.gz 00;33
#.tex 00;33
#.xls 00;33
#.xlsx 00;33
#.ppt 00;33
#.pptx 00;33
#.rtf 00;33
#.doc 00;33
#.docx 00;33
#.odt 00;33
#.ods 00;33
#.odp 00;33
#.epub 00;33
#.abw 00;33
#.wpd 00;33
#
# colorize text documents (brown)
#.txt 00;33
#.patch 00;33
#.diff 00;33
#.log 00;33
#.htm 00;33
#.html 00;33
#.shtml 00;33
#.xml 00;33

Rosenblum TV: Video training, virtual workshops, classes, tutorials
logologologologo
  • About
  • What We Do
  • Our Clients
  • Case Studies
    • The BBC
    • CBS News
    • New York Times Television
    • Spectrum News
    • The Newark Star-Ledger
    • The United Nations
    • McGraw/Hill
    • Oyster Yachts
    • Scottish Environmental Protection Agency
  • The Power of Storytelling
  • Why iPhones?
  • Michael on Media
  • Books
  • Contact
  • About
  • What We Do
  • Our Clients
  • Case Studies
    • The BBC
    • CBS News
    • New York Times Television
    • Spectrum News
    • The Newark Star-Ledger
    • The United Nations
    • McGraw/Hill
    • Oyster Yachts
    • Scottish Environmental Protection Agency
  • The Power of Storytelling
  • Why iPhones?
  • Michael on Media
  • Books
  • Contact

RE-INVENTING THE TELEVISION NEWS BUSINESS*

A revolution in video storytelling

Creating entirely new & cost-effective production methods

From the world leaders in video production training and the creators of Character Driven Storytelling™

*and every other business that uses video

WHAT WE DO

Over the past 35 years, we have designed, built or restructured some of the most powerful news and journalism companies in the world.

We replace the traditional TV news ‘crew’ with one highly trained journalist, working alone with nothing but an iPhone.

No more TV news ‘crews’, no editors and no field producers.

This is television news done the way newspaper journalism is done – one reporter with their electronic pad and pencil.

In doing this, we can cut the cost of production by as much as 75% while increasing ratings and audience engagement.

In the place of conventional TV news ‘packages’ – ie, reporter stand up, interview, b-roll, man on the street, we marry great journalism with Netflix and Hollywood storytelling.

It’s a combination that works.

We have taken most of our clients to #1 in their respective markets.

And it’s not just for news. Any company, any profit, any NGO and anyone else who is online needs to tell their story in compelling yet cost-effective video. We can teach you to do that. Either in person or virtually.

EXAMPLES OF WHAT WE CAN TEACH YOUR STAFF TO PRODUCE

ITAY HOD

Itay Hod, MMJ with KPIX/CBS in San Francisco, took the 5-Day Intensive Video Storytelling Bootcamp in 2018.

Because he works alone, with only an iPhone, he was able to embed himself with a homeless family.

Here’s the story he produced in a one-day turn.

KIET DO

Kiet Do, an MMJ with KPIX/CBS in San Francisco, took the 5-Day Intensive Video Storytelling Bootcamp in 2021.

Here is a story he produced, all on his own, with only an iPhone and in a one-day turn.

TAYLOR SCHAUB

Taylor Schaub, an MMJ with Spectrum News 1 in LA, took the 5-Day Intensive Video Storytelling Bootcamp in 2023.

Here is a story he turned in only one day, using only an iPhone. It was the first video story he ever did and it was nominated for an Emmy.

THE BOOTCAMP

How do we convert stations and whole networks to working in this way?

Since 1988, we have run intensive 5-Day Video Storytelling Bootcamps

We have done these all over the world.

These are hands-on bootcamps, and participants learn an entirely new way of creating TV news stories.

-We shoot at a 3:1 ratio or lower, so turnaround times are fast.

-We go directly from camera to timelilne and edit – no written scripts.  We work in the medium of pictures and sound.

-We are entirely character-driven.

-We are driven by pictures and real events.

-We are focused almost entirely on ’the viewer experience’.

Since 1988, more than 70,000 journalists around the world have taken our bootcamps, either in person on virtualy.

Case Studies

CBS Case Study Logos
CBS News

We have started to work with CBS News, bringing our ideas of character-driven storytelling to one of the most successful and biggest networks in the United States. Since beginning to work with them ratings have climbed and more importantly, audience engagement is through the ceiling.

Learn More
NYT Case Study Logos
New York Times Television

We started New York Times Television in 1990 and it was the first paper to be brought into the world of TV. It quickly became one of the most successful non-fiction production companies in the United States. The series and documentaries we produced won many awards including multiple Emmys.

Learn More
BBC Case Study Logos
The BBC

We have been working with the BBC since the year 2000 helping to convert their national news network to our visual storytelling technique. Most recently we have trained teams from their sports, documentaries, and comedy divisions to make character-driven stories using only smartphones.

Learn More
Spectrum Case Study Logos
Spectrum News

For the past five years we have worked with Spectrum News to introduce and train their journalists on visual, character driven storytelling using smartphones helping to create a different kind of local news for their network of 24-Hour News Stations across the United States.

Learn More
UN Case Study Logos
The United Nations

In 2006, we were approached by the United Nations. Rather than rely on news outlets, it would be much easier to train the field operatives to produce their own stories. We spent two years working with the UN, training more than 100 of their staff in bootcamps in Geneva and Nairobi.

Learn More
Star Ledger Case Study Logos
The Newark Star-Ledger

We trained 50 print reporters at the paper to shoot and tell their own stories, in conjunction with their print work. We built a TV newsroom in their existing print newsroom – you could not ask for a better set and they began to live stream their stories in conjunction with their print work.

Learn More
Mcgraw Hill Case Study Logos
Mcgraw Hill

We spent two years with McGraw Hill, training more than 150 of their staffers, making them completely video literate. McGraw/Hill media properties we transit included Business Week, Aviation Week, (what was the name of the architecture magazine), and JD Power and Associates.

Learn More
VOA Case Study Logos
Voice of America

In 1990, we were approached by The Voice of America, the official broadcasting agency for the United States Government. When we met with VOA, they were only a short wave radio broadcaster, but working with them, we took them into television, launching VOA-TV.

Learn More
Oyster Case Study Logos
Oyster Yachts

British based Oyster Yachts makes some of the finest yachts in the world. Like every other company, they had to find a way to feed the never-ending video demands of social media – sites like Instagram and TikTok. We trained the Oyster staff to tell their own stories, using only iPhones.

Learn More
SEPA Case Study Logos
Scottish Environmental Protection Agency

We were approached by SEPA, the Scottish Environmental Protection Agency because they had to continually find a way to ‘feed the media beast’. The result was that SEPA was able to tell their own stories, whenever they wanted, and at almost no additional cost.

Learn More
Image 11-11-22 at 6.25 PM

Michael on Media

Michael Rosenblum has been writing about the media since 1988. His work and ideas have appeared in The Guardian, The Huffington Post, Ilkeston Life and many other publications.

He has been blogging regularly for the past 35 years on this subject. Having taught media studies at Columbia University, NYU and now the University of Oxford, he is considered an expert on this subject.

Continue reading this post or look back at previous posts.

Read More

Do You Have Questions About Learning Video Skills?

If you would like to know more about our courses contact us and one of our training advisors will be happy to call you.

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