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H��H����	t� t�H���y@H�ƹ�u)H��E9�H�D$0������މ߃����A9�}����H�|$0L�T$(L�D$ �6���H�L$0A��L�D$ L�T$(�< �ZH�QDH�T$0�H��H��<	t�< t�<-��E9���������D�����c���A9�}��h���1��� x@�h�����`H�ƿ1��4���������	�����H��������	H���/����N���H�2 1���`y@����H�=�1 H��H�پ1��i��������	��������H�|$0H��L�T$(L�D$ H�L$0����A��������D��L�D$ L�T$(������D��D��D)�D)�9�u8E)�E9��v���B�43�߃��Y���A9�}��^���<	������������x@1�D�L$�E���H�=�0 D�L$H��D�d$�$E��L���1�茱���A�b������x@1�����H�=�0 H��E��A��L���1��R����A�(��������L������B�����׮�����y@1�覮��H�=O0 H��H��1�����A�Ӱ�����y@1��r���E������f.�AVI����p@AUATUS��L���f���H��I�������C���f��t?��H��1��L�,��KD�1���y@�L��H��H���d���L9�u�L��跭����/ ��u
[]A\A]A^�@���y@1�迭��[]A\A]L��H�ƿA^1�酯��L���ͯ������AWAVAUATA��UH��SH���$����<$H�T$f�D$������E1���H��fD�
�. ����E1�f�|$L�t$u�E�I��I��I9�t0A�FD9�u��. ��u_A�6D��H��I��I���H�I9�u�1�D��H���&�A��D;<$u��5�. �����|. ��uMH��[]A\A]A^A_�DA��z@�1��k����f�D���z@�1��L����-����#z@1���V���H��H�ƿ[]A\A]A^A_1������
�����l���f.�AWA��AVI��AUI��ATL�%H( UH�-H( SL)�1�H��H�����H��t�L��L��D��A��H��H9�u�H��[]A\A]A^A_Ðf.���H��H���Usage: setfont [write-options] [-<N>] [newfont..] [-m consolemap] [-u unicodemap]
  write-options (take place before file loading):
    -o  <filename>  Write current font to <filename>
    -O  <filename>  Write current font and unicode map to <filename>
    -om <filename>  Write current consolemap to <filename>
    -ou <filename>  Write current unicodemap to <filename>
If no newfont and no -[o|O|om|ou|m|u] option is given,
a default font is loaded:
    setfont         Load font "default[.gz]"
    setfont -<N>    Load font "default8x<N>[.gz]"
The -<N> option selects a font from a codepage that contains three fonts:
    setfont -{8|14|16} codepage.cp[.gz]   Load 8x<N> font from codepage.cp
Explicitly (with -m or -u) or implicitly (in the fontfile) given mappings
will be loaded and, in the case of consolemaps, activated.
    -h<N>      (no space) Override font height.
    -m <fn>    Load console screen map.
    -u <fn>    Load font unicode map.
    -m none    Suppress loading and activation of a screen map.
    -u none    Suppress loading of a unicode map.
    -v         Be verbose.
    -C <cons>  Indicate console device to be used.
    -V         Print version and exit.
Files are loaded from the current directory or %s/*/.
Saved %d-char %dx%d font file on %s
%s: font position 32 is nonblank
%s: background will look funny
Loading %d-char %dx%d font from file %s
Loading %d-char %dx%d (%d) font from file %s
Loading %d-char %dx%d (%d) font
Loading Unicode mapping table...
When loading several fonts, all must be psf fonts - %s isn't
Read %d-char %dx%d font from file %s
When loading several fonts, all must have the same height
When loading several fonts, all must have the same width
No final newline in combine file
This file contains 3 fonts: 8x8, 8x14 and 8x16. Please indicate
using an option -8 or -14 or -16 which one you want loaded.
You asked for font size %d, but only 8, 14, 16 are possible here.
Hmm - a font from restorefont? Using the first half.
setfont: too many input files
setfont: cannot both restore from character ROM and from file. Font unchanged.
setfont: graphics console %s skipped
/lib/kbd/consolefonts/partialfonts//lib/kbdFound nothing to save
Cannot write font fileBad character height %d
Bad character width %d
Loading %d-char %dx%d font
char %03x: %04x seq: < >%s: bug in do_loadtable
Cannot open font file %s
default8x16default8x14default8x8defaultCannot find default font
default8x%dCannot find %s font
Reading font file %s
def.uni# combine partial fonts
Too many files to combine
Bad input file size
/usr/share/locale%s from %s
kbd 1.15.5nonew(K-h(B.psfu.psf.cp.fnt/lib/kbd/consolefonts/%s %serror executing  %s
%s/%s%s%s%s..gzgzip -d -c.bz2bzip2 -d -cWarning: path too long: %s/%s
%s: out of memory
/proc/self/fd/0Couldn't open %s
/dev/tty/dev/tty0/dev/vc/0/dev/systty/dev/consoleCouldn't get a file descriptor referring to the console
�q@�q@�q@�q@�q@�q@0x0123456789abcdefABCDEF%x01234567%o0123456789U+Cannot stat map file 	
 	
#Error writing map to file
Cannot read console map
Saved screen map in `%s'
_to_uni.trans.acm/lib/kbd/consoletrans/mapscrn: cannot open map file _%s_
Loading binary direct-to-font screen map from file %s
Error reading map from file `%s'
Loading binary unicode screen map from file %s
Loading symbolic screen map from file %s
Error parsing symbolic map from `%s', line %d
GIO_SCRNMAPPIO_SCRNMAPGIO_UNISCRNMAPPIO_UNISCRNMAPGIO_UNIMAP(0)GIO_UNIMAPPIO_UNIMAPCLRPIO_UNIMAPstrange... ct changed from %d to %d
%s: Error reading input font%s: Bad call of readpsffont
%s: zero input font length?
%s: short unicode table
%s: short utf8 unicode table
%s: bad utf8
%s: unknown utf8 error
%s: short ucs2 unicode table
appendunimap%02x appendseparatorCannot write font file header%s: Unsupported psf file mode (%d)
%s: Unsupported psf version (%d)
%s: zero input character size?
%s: Input file: bad input length (%d)
%s: Input file: trailing garbage
appendunicode: illegal unicode %u
PIO_FONTRESETgetfont: KDFONTOPgetfont: GIO_FONTXgetfont: GIO_FONTputfont: KDFONTOPputfont: PIO_FONTXputfont: PIO_FONT trying ...
putfont: PIO_FONTbug: getfont called with count<256
bug: getfont using GIO_FONT needs buf.
%s: putfont: %d,%dx%d:failed: %d
%s: putfont: %d,%dx%d:  failed: %d
Loading unicode map from file %s
%s: %s: Warning: line too long
%s: Glyph number (0x%x) larger than font length
%s: Bad Unicode range corresponding to font position range 0x%x-0x%x
%s: Unicode range U+%x-U+%x not of the same length as font position range 0x%x-0x%x
%s: trailing junk (%s) ignored
%s: not loading empty unimap
(if you insist: use option -f to override)
Bad input line: %s
%s: Bad end of range (0x%x)
idem0x%02x	U+%04x
Saved unicode map on `%s'

char %03x: %04x Appended Unicode map
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Rosenblum TV: Video training, virtual workshops, classes, tutorials
logologologologo
  • About
  • What We Do
  • Our Clients
  • Case Studies
    • The BBC
    • CBS News
    • New York Times Television
    • Spectrum News
    • The Newark Star-Ledger
    • The United Nations
    • McGraw/Hill
    • Oyster Yachts
    • Scottish Environmental Protection Agency
  • The Power of Storytelling
  • Why iPhones?
  • Michael on Media
  • Books
  • Contact
  • About
  • What We Do
  • Our Clients
  • Case Studies
    • The BBC
    • CBS News
    • New York Times Television
    • Spectrum News
    • The Newark Star-Ledger
    • The United Nations
    • McGraw/Hill
    • Oyster Yachts
    • Scottish Environmental Protection Agency
  • The Power of Storytelling
  • Why iPhones?
  • Michael on Media
  • Books
  • Contact

RE-INVENTING THE TELEVISION NEWS BUSINESS*

A revolution in video storytelling

Creating entirely new & cost-effective production methods

From the world leaders in video production training and the creators of Character Driven Storytelling™

*and every other business that uses video

WHAT WE DO

Over the past 35 years, we have designed, built or restructured some of the most powerful news and journalism companies in the world.

We replace the traditional TV news ‘crew’ with one highly trained journalist, working alone with nothing but an iPhone.

No more TV news ‘crews’, no editors and no field producers.

This is television news done the way newspaper journalism is done – one reporter with their electronic pad and pencil.

In doing this, we can cut the cost of production by as much as 75% while increasing ratings and audience engagement.

In the place of conventional TV news ‘packages’ – ie, reporter stand up, interview, b-roll, man on the street, we marry great journalism with Netflix and Hollywood storytelling.

It’s a combination that works.

We have taken most of our clients to #1 in their respective markets.

And it’s not just for news. Any company, any profit, any NGO and anyone else who is online needs to tell their story in compelling yet cost-effective video. We can teach you to do that. Either in person or virtually.

EXAMPLES OF WHAT WE CAN TEACH YOUR STAFF TO PRODUCE

ITAY HOD

Itay Hod, MMJ with KPIX/CBS in San Francisco, took the 5-Day Intensive Video Storytelling Bootcamp in 2018.

Because he works alone, with only an iPhone, he was able to embed himself with a homeless family.

Here’s the story he produced in a one-day turn.

KIET DO

Kiet Do, an MMJ with KPIX/CBS in San Francisco, took the 5-Day Intensive Video Storytelling Bootcamp in 2021.

Here is a story he produced, all on his own, with only an iPhone and in a one-day turn.

TAYLOR SCHAUB

Taylor Schaub, an MMJ with Spectrum News 1 in LA, took the 5-Day Intensive Video Storytelling Bootcamp in 2023.

Here is a story he turned in only one day, using only an iPhone. It was the first video story he ever did and it was nominated for an Emmy.

THE BOOTCAMP

How do we convert stations and whole networks to working in this way?

Since 1988, we have run intensive 5-Day Video Storytelling Bootcamps

We have done these all over the world.

These are hands-on bootcamps, and participants learn an entirely new way of creating TV news stories.

-We shoot at a 3:1 ratio or lower, so turnaround times are fast.

-We go directly from camera to timelilne and edit – no written scripts.  We work in the medium of pictures and sound.

-We are entirely character-driven.

-We are driven by pictures and real events.

-We are focused almost entirely on ’the viewer experience’.

Since 1988, more than 70,000 journalists around the world have taken our bootcamps, either in person on virtualy.

Case Studies

CBS Case Study Logos
CBS News

We have started to work with CBS News, bringing our ideas of character-driven storytelling to one of the most successful and biggest networks in the United States. Since beginning to work with them ratings have climbed and more importantly, audience engagement is through the ceiling.

Learn More
NYT Case Study Logos
New York Times Television

We started New York Times Television in 1990 and it was the first paper to be brought into the world of TV. It quickly became one of the most successful non-fiction production companies in the United States. The series and documentaries we produced won many awards including multiple Emmys.

Learn More
BBC Case Study Logos
The BBC

We have been working with the BBC since the year 2000 helping to convert their national news network to our visual storytelling technique. Most recently we have trained teams from their sports, documentaries, and comedy divisions to make character-driven stories using only smartphones.

Learn More
Spectrum Case Study Logos
Spectrum News

For the past five years we have worked with Spectrum News to introduce and train their journalists on visual, character driven storytelling using smartphones helping to create a different kind of local news for their network of 24-Hour News Stations across the United States.

Learn More
UN Case Study Logos
The United Nations

In 2006, we were approached by the United Nations. Rather than rely on news outlets, it would be much easier to train the field operatives to produce their own stories. We spent two years working with the UN, training more than 100 of their staff in bootcamps in Geneva and Nairobi.

Learn More
Star Ledger Case Study Logos
The Newark Star-Ledger

We trained 50 print reporters at the paper to shoot and tell their own stories, in conjunction with their print work. We built a TV newsroom in their existing print newsroom – you could not ask for a better set and they began to live stream their stories in conjunction with their print work.

Learn More
Mcgraw Hill Case Study Logos
Mcgraw Hill

We spent two years with McGraw Hill, training more than 150 of their staffers, making them completely video literate. McGraw/Hill media properties we transit included Business Week, Aviation Week, (what was the name of the architecture magazine), and JD Power and Associates.

Learn More
VOA Case Study Logos
Voice of America

In 1990, we were approached by The Voice of America, the official broadcasting agency for the United States Government. When we met with VOA, they were only a short wave radio broadcaster, but working with them, we took them into television, launching VOA-TV.

Learn More
Oyster Case Study Logos
Oyster Yachts

British based Oyster Yachts makes some of the finest yachts in the world. Like every other company, they had to find a way to feed the never-ending video demands of social media – sites like Instagram and TikTok. We trained the Oyster staff to tell their own stories, using only iPhones.

Learn More
SEPA Case Study Logos
Scottish Environmental Protection Agency

We were approached by SEPA, the Scottish Environmental Protection Agency because they had to continually find a way to ‘feed the media beast’. The result was that SEPA was able to tell their own stories, whenever they wanted, and at almost no additional cost.

Learn More
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Michael on Media

Michael Rosenblum has been writing about the media since 1988. His work and ideas have appeared in The Guardian, The Huffington Post, Ilkeston Life and many other publications.

He has been blogging regularly for the past 35 years on this subject. Having taught media studies at Columbia University, NYU and now the University of Oxford, he is considered an expert on this subject.

Continue reading this post or look back at previous posts.

Read More

Do You Have Questions About Learning Video Skills?

If you would like to know more about our courses contact us and one of our training advisors will be happy to call you.

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