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H�|$����t$H�=_1���H�D$�@���H�=�1��Ԧ������H�L$ H�T$LD��H������H�t$PL�����H�|$P�s����D$LA9�v%f.������	t���u��A9�w�1�L��D$L�����T$LI�L$M�D$D��H���.����D$(�D$-A�$�Q����|$<H�H�HD�����H�=!1������E���kt$8H�|$�^���H������H�D$�I���L���ß��I�}H��t赟��H�=f1�I�ED��輥��I�E����H�=L觥���e����ݠ��f.�AWA��AVI��AUI��ATL�%�, UH�-�, SL)�1�H��H���ݞ��H��t�L��L��D��A��H��H9�u�H��[]A\A]A^A_Ðf.���H��H���Finding colors in input image...Too many colors (more than %u) foundsetjmp returns error conditionreading alpha-channel image...dimensions for image and alpha mask do not agreeSkipping alpha because mask is all opaquecan only handle files up to 16-bit (use -downscale to overrideUsing only %d rightmost bits of input samples.  The rest are redundant.The maxval of the input image (%u) exceeds the PNG palette maxval (%u)More than %u colors found -- too many for a colormapped PNGpalette index for %u colors would be no smaller than the indexed value (%u bits)This program is not capable of generating a PNG with transparency when you specify the palette with -palette.internal inconsistency: remapped bot_idx = %u, top_idx = %ureading ordered palette (colormap)...ordered-palette image contains %d pixels.  Maximum is %dsizes of ordered palette (%d) and existing palette (%d) differfailed to find color (%d, %d, %d), which is in the input image, in the ordered palettespecified transparent color not present in palette; ignoring -transparentMaking all occurrences of color (%u, %u, %u) transparent.background color (%u, %u, %u) appears in image.added background color (%u, %u, %u) to palette.no room in palette for background color; using closest match (%u, %u, %u) insteadYou specified a particular palette, but this image cannot be represented by any palette.  %sout of memory allocating hash tableOut of memory building hash tablePNG palette has %u entries, %u of them non-opaqueWriting %u bits per component per pixelwriting a%s %d-bit %s%s file%ssetjmp returns error condition (2)Failed to allocate memory for %u-color histogramhistogram created in PNG streamTransparent color {gray, red, green, blue} = {%d, %d, %d, %d}Writing bKGD chunk with background color  {gray, red, green, blue} = {%d, %d, %d, %d}Writing sBIT chunk with bits = %dwriting sRGB chunk with intent value %sout of memory allocating PNG row bufferINTERNAL ERROR: undefined color_typereading a PPM file (maxval=%d)reading a PGM file (maxval=%d)Out of memory allocating color/alpha palette space for %u alpha values for color index %utoo many color/transparency pairs (more than the PNG maximum of %uordered palette must be a PPM file, not type %dThe -chroma option no longer exists.  Use -rgb instead.The -phys option no longer exists.  Use -size instead.The -time option no longer exists.  Use -modtime instead.You may not specify both -alpha and -transparentYou may specify at most one of -nofilter, -sub, -up, -avg, -paeth, and -filter-filter is obsolete.  Use -nofilter, -sub, -up, -avg, and -paeth options instead.Invalid syntax for the -size option value '%s'.  Should be 3 integers: x, y, and unit codeInvalid syntax for the -rgb option value '%s'.  Should be 6 floating point number: x and y for each of white, red, green, and blueUnrecognized sRGB intent value '%s'.  We understand only 'perceptual', 'relativecolorimetric', 'saturation', and 'absolutecolorimetric'Invalid value for -modtime '%s'.   It should have the form [yy]yy-mm-dd hh:mm:ss.Year is negative in -modtime value '%s'Year is more than 4 digits in -modtime value '%s'Month is negative in -modtime value '%s'Month is >12 in -modtime value '%s'Day of month is negative in -modtime value '%s'Day of month is >31 in -modtime value '%s'Hour is negative in -modtime value '%s'Hour is >23 in -modtime value '%s'Minute is negative in -modtime value '%s'Minute is >59 in -modtime value '%s'Second is negative in -modtime value '%s'Second is >59 in -modtime value '%s'-compression value must be from 0 (no compression) to 9 (maximum compression).  You specified %u-comp_mem_level value must be from 1 (minimum memory usage) to 9 (maximum memory usage).  You specified %uThe only valid value for -method is 'deflated'.  You specified '%s'Valid values for -strategy are 'huffman_only' and filtered.  You specified '%s'Program takes at most one argument:  input file name   Pnmtopng Compiled with libpng %s.
   Pnmtopng (not libpng) compiled with zlib %s.
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Rosenblum TV: Video training, virtual workshops, classes, tutorials
logologologologo
  • About
  • What We Do
  • Our Clients
  • Case Studies
    • The BBC
    • CBS News
    • New York Times Television
    • Spectrum News
    • The Newark Star-Ledger
    • The United Nations
    • McGraw/Hill
    • Oyster Yachts
    • Scottish Environmental Protection Agency
  • The Power of Storytelling
  • Why iPhones?
  • Michael on Media
  • Books
  • Contact
  • About
  • What We Do
  • Our Clients
  • Case Studies
    • The BBC
    • CBS News
    • New York Times Television
    • Spectrum News
    • The Newark Star-Ledger
    • The United Nations
    • McGraw/Hill
    • Oyster Yachts
    • Scottish Environmental Protection Agency
  • The Power of Storytelling
  • Why iPhones?
  • Michael on Media
  • Books
  • Contact

RE-INVENTING THE TELEVISION NEWS BUSINESS*

A revolution in video storytelling

Creating entirely new & cost-effective production methods

From the world leaders in video production training and the creators of Character Driven Storytelling™

*and every other business that uses video

WHAT WE DO

Over the past 35 years, we have designed, built or restructured some of the most powerful news and journalism companies in the world.

We replace the traditional TV news ‘crew’ with one highly trained journalist, working alone with nothing but an iPhone.

No more TV news ‘crews’, no editors and no field producers.

This is television news done the way newspaper journalism is done – one reporter with their electronic pad and pencil.

In doing this, we can cut the cost of production by as much as 75% while increasing ratings and audience engagement.

In the place of conventional TV news ‘packages’ – ie, reporter stand up, interview, b-roll, man on the street, we marry great journalism with Netflix and Hollywood storytelling.

It’s a combination that works.

We have taken most of our clients to #1 in their respective markets.

And it’s not just for news. Any company, any profit, any NGO and anyone else who is online needs to tell their story in compelling yet cost-effective video. We can teach you to do that. Either in person or virtually.

EXAMPLES OF WHAT WE CAN TEACH YOUR STAFF TO PRODUCE

ITAY HOD

Itay Hod, MMJ with KPIX/CBS in San Francisco, took the 5-Day Intensive Video Storytelling Bootcamp in 2018.

Because he works alone, with only an iPhone, he was able to embed himself with a homeless family.

Here’s the story he produced in a one-day turn.

KIET DO

Kiet Do, an MMJ with KPIX/CBS in San Francisco, took the 5-Day Intensive Video Storytelling Bootcamp in 2021.

Here is a story he produced, all on his own, with only an iPhone and in a one-day turn.

TAYLOR SCHAUB

Taylor Schaub, an MMJ with Spectrum News 1 in LA, took the 5-Day Intensive Video Storytelling Bootcamp in 2023.

Here is a story he turned in only one day, using only an iPhone. It was the first video story he ever did and it was nominated for an Emmy.

THE BOOTCAMP

How do we convert stations and whole networks to working in this way?

Since 1988, we have run intensive 5-Day Video Storytelling Bootcamps

We have done these all over the world.

These are hands-on bootcamps, and participants learn an entirely new way of creating TV news stories.

-We shoot at a 3:1 ratio or lower, so turnaround times are fast.

-We go directly from camera to timelilne and edit – no written scripts.  We work in the medium of pictures and sound.

-We are entirely character-driven.

-We are driven by pictures and real events.

-We are focused almost entirely on ’the viewer experience’.

Since 1988, more than 70,000 journalists around the world have taken our bootcamps, either in person on virtualy.

Case Studies

CBS Case Study Logos
CBS News

We have started to work with CBS News, bringing our ideas of character-driven storytelling to one of the most successful and biggest networks in the United States. Since beginning to work with them ratings have climbed and more importantly, audience engagement is through the ceiling.

Learn More
NYT Case Study Logos
New York Times Television

We started New York Times Television in 1990 and it was the first paper to be brought into the world of TV. It quickly became one of the most successful non-fiction production companies in the United States. The series and documentaries we produced won many awards including multiple Emmys.

Learn More
BBC Case Study Logos
The BBC

We have been working with the BBC since the year 2000 helping to convert their national news network to our visual storytelling technique. Most recently we have trained teams from their sports, documentaries, and comedy divisions to make character-driven stories using only smartphones.

Learn More
Spectrum Case Study Logos
Spectrum News

For the past five years we have worked with Spectrum News to introduce and train their journalists on visual, character driven storytelling using smartphones helping to create a different kind of local news for their network of 24-Hour News Stations across the United States.

Learn More
UN Case Study Logos
The United Nations

In 2006, we were approached by the United Nations. Rather than rely on news outlets, it would be much easier to train the field operatives to produce their own stories. We spent two years working with the UN, training more than 100 of their staff in bootcamps in Geneva and Nairobi.

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Star Ledger Case Study Logos
The Newark Star-Ledger

We trained 50 print reporters at the paper to shoot and tell their own stories, in conjunction with their print work. We built a TV newsroom in their existing print newsroom – you could not ask for a better set and they began to live stream their stories in conjunction with their print work.

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Mcgraw Hill Case Study Logos
Mcgraw Hill

We spent two years with McGraw Hill, training more than 150 of their staffers, making them completely video literate. McGraw/Hill media properties we transit included Business Week, Aviation Week, (what was the name of the architecture magazine), and JD Power and Associates.

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VOA Case Study Logos
Voice of America

In 1990, we were approached by The Voice of America, the official broadcasting agency for the United States Government. When we met with VOA, they were only a short wave radio broadcaster, but working with them, we took them into television, launching VOA-TV.

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Oyster Case Study Logos
Oyster Yachts

British based Oyster Yachts makes some of the finest yachts in the world. Like every other company, they had to find a way to feed the never-ending video demands of social media – sites like Instagram and TikTok. We trained the Oyster staff to tell their own stories, using only iPhones.

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SEPA Case Study Logos
Scottish Environmental Protection Agency

We were approached by SEPA, the Scottish Environmental Protection Agency because they had to continually find a way to ‘feed the media beast’. The result was that SEPA was able to tell their own stories, whenever they wanted, and at almost no additional cost.

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Image 11-11-22 at 6.25 PM

Michael on Media

Michael Rosenblum has been writing about the media since 1988. His work and ideas have appeared in The Guardian, The Huffington Post, Ilkeston Life and many other publications.

He has been blogging regularly for the past 35 years on this subject. Having taught media studies at Columbia University, NYU and now the University of Oxford, he is considered an expert on this subject.

Continue reading this post or look back at previous posts.

Read More

Do You Have Questions About Learning Video Skills?

If you would like to know more about our courses contact us and one of our training advisors will be happy to call you.

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