The Rosenblum TV blog archives.

Concentra Award Winners

By Michael Rosenblum | Published May 9th, 2010

Award winner Adam Ellick, NY Times

Last week, in Antwerp, we awarded the Fifth Annual Concentra Award for Videojournalism.

This year’s winner was Adam Ellick, a videojournalist for The New York Times.

We liked Ellick’s work for a number of reasons. A great and interesting story, very well shot and executed, great characters, great writing and great access. All the elements that make a great VJ piece.  We were also delighted to see that The NY Times is now allowing Ellick to do his own reporting, as opposed to shooting print reporters at work.  A big improvement.

Casey Kaufmann won the Breaking News Award for his work from Gaza.

While Ellick skyped into the ceremonies from Pakistan, Kaufmann made the trip from Doha to Antwerp, arriving just minutes before he won the award.  Upon meeting Kaufmann, I was astonished to learn that he had never met another VJ before in his life. The Stanford graduate simply started doing VJ work on his own and now has been covering the world for Al Jazzera as a VJ.

Here is a link to the award winners, as well as all of the nominees.

Congratulations. A great job.  The quality of the work continues to improve.

An Image Problem

By Michael Rosenblum | Published May 4th, 2010

schlepper

Hollywood Reporter last week said that “TV viewing in the home is at an all-time high, averaging 5.13 hours per viewer per day during fourth-quarter 2009 and more than eight hours a day for the entire household…”

More than 5 hours a day, every day. For your entire life.

That is in itself an astonishing number.

But it also says something about our culture.

We are extremely image-driven.

The images you see in the movies or on TV become, in our minds, the ideas we take to identify a person or a profession.

Think TV anchorman and you think Peter Jennings or Ed Murrow or Brian Williams. It doesn’t matter, they’re all the same person – or at least they’re all playing the same character.

Think airplane pilot and you get Sully Sullenberger or Chuck Yeager. Doesn’t matter. Same character.

Now, think ‘journalist’ and you get Russell Crowe, starring in State of Play or Dustin Hoffman as Carl Bernstein in All The President’s Men.

Messy.

Unshaven.

Hung over.

Crap car.

Crap life.

Dresses like a schlepper.

Look at Russell Crowe in the photo above.

Schlepper!

OK. Smart, honest, driven, dedicated, truth-seeking.. but schlepper.

We LOVE this image. It is us.

How important are media images?

Oliver Stone was recently interviewed on the eve of his new film, Wall Street II (or whatever it’s going to be called). He was both astonished and disappointed that a whole generation of Wall Street ‘masters of the universe’ from Bernie Madoff to the guys at Goldman were motivated to go to Wall Street by his movie. They took Gordon Gekko as a role model. They modeled themselves after Gordon Gekko. “Greed is good”.  And they certainly took it to heart.

Fine.

At least Gekko dressed well, had great art, great home and tons of money.

But what about our self-created images of journalists?

Schleppers!

Losers!

Bad with money!

Dress like homeless people. Don’t shave. Drunk all the time.

And that is why we are in such trouble now.  We run from making money. We think it’s a terrible idea, in fact. We HATE rich people. We HATE capitalists.  We HATE them.  ‘Comfort the afflicted and afflict the comfortable’.

We are crazy.

The Internet Revolution was about journalism. OK, it was about information, but what is journalism but the gathering and processing of information.

This revolution took place on our watch, beneath our noses.  The Internet didn’t wipe out medicine (yet). It didn’t break the backs of law firms by making contract available to anyone who wanted them for free.  The Internet ate OUR lunch. And we sat by (and we continue to sit by) and watch it happen. As observers.

Idiots!

WE should own Craigslist (sorry Mr. Newmark but it’s true).
We were there first in classifieds.

WE should own Google – not a bunch of Stanford graduate students.  The motto of the National Geographic Magazine was ‘the world and all that is in it’. What the hell is Google but that? And there was a time when the boys at Google were looking to sell their company for (ready?) $1 million.  Do you think that National Geographic could have come up with that?  You bet! Did they? Nope. So lemme ask you, when was the last time you bought a copy (bought, not looked at in the dentist’s office) of National Geographic? When was the last time you went on Google?

Schmucks!

We are such schmucks.

And why?

Look at the picture above.

It’s because we worship penury.  Like some kind of medieval monks.

Wise up!

I say, time for a new image. The kick-ass, take no prisoners journalist who creates their own web company and makes billions.

Hello, Oliver Stone?

Come on man. I even have a title.

Fleet Street.

Self Publishing Takes Off

By Michael Rosenblum | Published May 3rd, 2010

You can’t get it on Amazon.com… yet…

When future archaeologists begin to excavate our civilization they may come to believe that some tragic event befell our culture in the early 21st Century.

That is because all historical records of our time here will have ceased to exist.  They will see a constant and continuous growth of science and art and math literature and films and music, and then, suddenly, around 2010 or so, it will all come to an abrupt end.

“Meteor” they will say.

What they probably won’t say is ‘digital’.

But that will be the right answer.

As we begin to store just about everything ‘out there’ somewhere, (and God only knows where that is), our historical archive is being diminished.

Who will be able to retrieve these things?

No one, most likely.

The Roman Empire, which was around for a good 500 years or so, used to pay their legionnaires with ceramic chits, which they could later exchange for dinari or sestari.  There were, on average, about 60,000 or so legionnaires across the empire. They got paid monthly.  Over 500 years. That is a lot of chits. Do you know how many chits are in existence today?  Less than a dozen.

Physical stuff just does not hang around.

Imagine what happens to cyberspace stuff.

It is gone before we even start.

In the 1980s, The BBC, trying to get on the cutting edge of things, decided to ‘preserve’ the Domesday Book for future generations by putting it on an optical disc.

Today, the optical disc is unreadable. All the optical disc readers are gone.  Fortunately the original, on sheepskin, is still around. It turns out sheepskin is a much better medium for the ages than optical discs – or hard drives for that matter.

Today’s cutting edge technology is tomorrow’s 8-track.

Anyone still got a working 8-track player?

Anyone under the age of 30 know what an 8-track is?

A natural reaction to this vaporization of content is to go to the other extreme. Instead of taking paper and making it digital, there is an increasing trend to take digital and make it paper.

The New York Times reported over the weekend that 764,861 titles were self-published last year.  This is up 181% from the year before.

I have done this myself, many times, for photographs.

Photographs used to sit in a box or an album, but at least they were there. I recently went through my father’s old Kodachromes of his trip to Greenland in the 1950′s. Still as sharp as they day they were shot.

My digital photos may be of great resolution, but who knows where they are now, and more importantly, where they will be in 50 year’s time. Probably out there with the optical discs.

So I have begun self-publishing photographs, using the software that comes along with iPhoto. It’s drag and drop and email and a few weeks later, the book or books arrive. And it’s cheap – around $60 per book. Not a bad price for eternity.

A few months ago, I started to digitize my dad’s old slides. Then, I realized that maybe digitizing wasn’t the best thing to do with them, so I also published a book for my mother for her birthday in March.  It’s a collection of 75 years of her life (all lived int he same house).  Makes  a nice gift – and it’s more likely that her great great grandchildren will look at that, as opposed to trying to find iPhoto, whatever that is.

Cable Turns To Oatmeal

By Michael Rosenblum | Published May 2nd, 2010

cover in olive oil and sea salt, preheat oven to 375 degrees…

What’s in a name?

Kentucky Fried Chicken spent a fortune to become KFC, mostly so they could get rid of 2/3rds of their name that had become a market drag: Fried and Kentucky.  The fried part because, hey, it’s not healthy. Don’t get me wrong, I love (OK Lisa, I used to love)  KFC hot wings. But they are really unhealthy as we all know. Still. You don’t want to call the company Fat Slob Chicken, do you? So you bury the bad stuff.  As for Kentucky… um, does not test well in NY or LA or Tennessee apparently.

In any event, I was a bit surprised to see that the Sci Fi Channel had rebranded itself to SyFy, which means even less than KFC, but it does shed a certain nerd element.

Now, it seems, SyFy President David Howe is intent on not just shedding the nerd image, he’s intent on shedding the nerds.

Announcing their new line-up at the upfronts, SyFy seems to be dropping all of their science fiction programming and replacing it with… ready?… WWE’s Smack Down.

OK. The ‘fiction’ part I get in SmackDown.  What I don’t get is the science. Nor the nerd appeal (but maybe I am missing something).  What happened to Stargate or Battlestar Galactica or my personal favorite, Mega Piranha (do you remember that one? Where else could you get quality entertainment like that?)

Now, Sci Fi , sorry, SyFy’s move to what I think we can call Oatmeal Programming is not alone.  (NB: SyFy is also launching a cooking show – Marcels’ Quantum Kitchen). No kidding.  In any event, SyFy is not alone in its rush to mediocrity.  BBC America, where I religiously watch the only decent TV news show in the US every night (and an hour!), has started running old re-runs of Star Trek, Next Generation EVERY NIGHT! after the news.

BBC America used to be a place where I could see great BBC programming, like Gordon Ramsay or Dragon’s Den or Last Restaurant Standing with Raymond Blanc.  That’s why it was called BBC America. For the “BBC” part.  What in the world does Star Trek reruns have to do with The BBC? Why would I want to tune in?  Why would a Sci Fi nerd want to tune in to SyFy for cooking shows and wrestling?

When people get nervous they head for home.

In the 70s they used to say ‘no one ever got fired for buying IBM’.

Time to start firing some network executives, IMHO.

And Now… Google TV

By Michael Rosenblum | Published April 30th, 2010

Around here we have been having an internal discussion about changing the name of the company.

Rosenblumtv.  It’s the TV part (though some would like to change the first part as well, I am currently opposing that move).

TV smells old.

It smells of 1956 and Howdy Doody and a big DuMont TV set in the living room with the whole family gathered around,

(which in fact was how we grew up when I was a kid).

Qasar – works in a drawer!  The repairman could access the tubes without taking off the back of the set.

Well, mercifully, those days are over. Now we’ve got those 54″ flat panel things hanging on every room in the house.  But it still smells of the 1950′s.  TV.

So it was intriguing to read that Google is now going to get into the TV business.

Next month, Google is going to unveil Google TV.

According to The Wall Street Journal, Google is going to announce its Android based TV software in San Francisco on May 19th.

And what will it be?

From what one can tell reading the tea leaves, it’s going to marry web surfing and television on a set box so that you will no longer be able to tell the difference. That is, (if I am getting this right), you will be able to go to Youtube or Hulu as easily as you go to NBC or CBS.

Well, this is bad news for NBC and CBS.

For the past three years we have run our Apple Mini through the flat screen in the living room (which being Manhattan is also part of the dining room).  The flat screen is on hinges and swivels out to sit perpendicular to the room.  Often at dinner parties we will get into a conversation that entails a trip to Google or something else. If you were at a restaurant, you might reach for you iPhone, but at dinner, increasingly, we have taken the web to the table as part of the conversation.

The other night, with 8 people over for dinner, we migrated to Youtube and starting playing old rock songs from the 70s (yes we are old). It turns out you can find just about everything on Youtube, including old Janis Ian or (gulp) Donovan.  And before you knew it, it was Karaoke night for the AK set.

Now, if you can get to the web in an instant with the touch of a button (if that is not too archaic), who is really going to go to NBC, particularly if you can get House or Law and Order on demand on line?

Watch for a collapse in ad rates as viewership evaporates.

Concentra Prize Nominees Announced

By Michael Rosenblum | Published April 29th, 2010

Could you use $15,000?

On May 6th, in Antwerp, we will award the Concentra Prize for Videojournalism.

$15,000 for the best VJ piece in the world.

Yesterday, Concentra, a Belgium based media company, announced the finalists.

The Winning Hood – Stef Biemans, VPRO, The Netherlands

Sudanese trouser woman – Mia Bittar, VJ Movement, Sudan

Young and homeless in Almaty – Yermek Boltayev, Radio Free Europe, Kazakhstan

Cracking the whip in Pakistan – Adam Ellick, NY Times, USA

Close Calls – Raul Gallego Abellan, Associated Press, Spain

This is not like Iraq – Raul Gallego Abellan, Associated Press, Spain

Baby Feras – Casey Kauffman, Al Jazeera International, UK

Taxi Filippino: the disappearance of James Balao – Roel Nollet, TV Oost, Belgium

Operation Moshtarak – Vaughan Smith, Channel4, UK

The all-dwarf themepark: a human zoo? – Angel Villariano, VJ Movement, Spain

As I am the Chairman of the Jury, I cannot offer my preferences, but take a look for yourself and don’t hesistate to tell me which one you think should be the winner.

Good Bye Floppy Drive

By Michael Rosenblum | Published April 28th, 2010

My first computer was an NEC APCIII, the APC standing for Advanced Personal Computer.

And for its time, which was 1983, it was advanced.

It ran on floppy disks.  I had trays of them, each carefully marked.  Word Processing, for example, took about 9 disks to run. Each function of the software required a separate disk to be installed.

But in 1983, the APC was state of the art and so were floppy disks

So it was with a bit of nostalgia that I read that the Sony Corporation is going to discontinue the manufacturing of the floppy disk.

Not that I have had much use for the floppy – and neither has anyone else.

The floppy disk held 1.4mb of data.  The postage stamp sized card in my digital Leica holds 16GB of data.  I don’t think that the floppy would hold even one RAW photo.  Look at your iPod and then realize that the floppy does not have enough capacity to hold even one song per disk.

How far we have come, and how fast.

But we have left in our wake an endless stream of discarded technologies that were once cutting edge and are now utterly worthless.

And, in keeping with Moore’s Law, we can only expect this rate of change to continue to accelerate.  LPs were good for some 75 years, the iPad, probably for 75 months, maybe less, before we look at it the way we look at floppys.  ‘iPad? Jeez, look at the SIZE of that thing! I can’t believe we dragged those things around with us’, like the Compaq computer my friend Jack Hitt used to cary with him. It was the size of a sewing machine and weighed about 50 pounds with a green screen the size of, well, an iPhone.  And THAT was state-of-the-art when I had my APC, which took three massive shipping cartons to move around. (And I know, because I took it with me to France.. .twice!) Not to mention the iron block of a step-down transformer that was required to change 220v to 110v.

Ah, those were the days.

So goodbye floppy!

But what about all the material that was recorded, and still remains, somewhere on the floppy and other now obsolete media? Gone forever, no doubt.  The videos of my ex-wedding,  recorded on Hi8 are now, thank God,  almost unreadable as that platform vanishes.

But over at The BBC, (where we are headed next week), they recorded the entire Domesday Book on an Acorn Computer and Video Disc Drive in 1986, thinking they were planning for the future!

Ha!

Today it’s unreadable.

Fortunately, the original Domesday Book, written by hand in 1086 is still accessible.

This Day in History

By Michael Rosenblum | Published April 27th, 2010

The iPhone of its day…

It was small, it was electronic, you could hold it in the palm of your hand.

It allowed you to be connected to anyone else, anywhere in the world instantly.

It had however only 1 app – dot dot dot dash.

But as a piece of technology, it changed the world forever.

Prior to the invention of the telegraph, the fastest anyone could communicate with anyone else was as fast as a horse could ride carrying a messenger.  It had not changed since the days of the ancient Greeks.  Now, suddenly, people could communicate over vast distances instantly. Distance had ceased to exist.  The world we live in today was born today, April 27th, 1791 with the birth of Samuel FB Morse.

Morse was no Steve Jobs.

He was, perhaps, closer to Adolf Hitler.

Oy.

We don’t like to think of our technological heroes that way.  But there it is.

Morse was not an inventor by trade, at least not to start with. Neither was he a scientist. He was, in fact, a painter.  A failed painter. OK, not as much of a failure as Hitler, who ended up selling hand painted post cards on the streets of Munich.  Morse did, in fact, attend the Royal Academy in London, which is pretty good, and here is one of his paintings:

It’s pretty good. I mean, I couldn’t do it.  (I wouldn’t buy it either, but terrible it is not).
What was terrible was Morse’s politics.

He was a great defender of slavery, for example (ugh!)

In 1850, he published a treatise entitled An Argument on the Ethical Position of Slavery

Seriously.

He also ran for mayor of New York on a ticket that was anti-Catholic, anti-Immigration and anti just about everything else.

Charming fellow.

He came close to getting a Federal commission for his paintings, but when that fell through, he went back to England. On the ship, he began to develop an interest in the then rather esoteric field of electricity.

Morse took his sea voyage in 1832, but by 1836 he was ready to demonstrate his new invention, the electric telegraph to the public.  In 1842, Morse strung a telegraph wire between two committee rooms in Congress to demonstrate the technology and secured a government grant to expand his work. On May 1, 1844, Morse telegraphed the nomination of Henry Clay from the Whig Party convention in Baltimore to Washington, DC.  That closed the deal, and on May 24, 1844, the first permanent telegraph line between Baltimore and Washington DC was opened.  Morse keyed in the words, as everyone knows, ‘What hath God wrought”, which made for pretty good PR, although no one today uses the word ‘wrought’ in everyday conversation.

Morse and his invention certainly changed the world.  The world we inhabit today is directly derivative of his vision and his hard work.

However, a pleasant person, he very much was not.

Britain Plunges Headlong Into 1960

By Michael Rosenblum | Published April 26th, 2010

Who looked better?

Fifty years ago, politics in the US changed forever.

Nixon and Kennedy debated live on TV.

Television was then a relatively new medium, but by 1960 it had penetrated most American households and most American lives.  What it had not yet touched was politics.

But once it did, the world would never be the same.

What works on TV and what works in running a government are two totally different things.  One need not be telegenic to be a great leader…. at least before TV.  It is unlikely that Abraham Lincoln – physically ugly (though now we are used to it), suffering from Marfan Syndrome, and apparently with a high, squeaky voice, could ever have been elected President.  It is unlikely that Frankly Roosevelt, bound to a wheelchair could have been elected President.  And many others.

The appearance of television changed everything.  Sweaty and shifty-eyed Richard Nixon was no match for the tanned and good looking JFK.  Ironically those who listened to the debate on radio felt that Nixon was the clear winner. On TV it was another matter.

Today, it is all about style as opposed to substance.  Just look at Sarah Palin.

Now, the UK is having an election,and for the first time, the three candidates for the PM slot are holding live televised debates.

This too has changed everything.

In the UK they have a parliamentary system. That is, the party with the greatest number of seats gets to form the new government. The head of the party becomes the Prime Minister.

For many years, the UK has been a two party system: The Tories (Conservatives) and Labor.  The Tories are the party of Margaret Thatcher and her pal Ronald Reagan.  Labor is the party of Tony Blair and his pal Bill Clinton (although in his last term he did cozy up to George Bush, invade Iraq and pretty much piss off everyone in the UK).  But you get the idea.

On April 15th, the British held their first live TV debate.  The two candidates, David Cameron for the Conservatives and Gordon Brown, the current PM, for Labor met to debate the issues.  They were joined by a third party candidate, Nick Clegg, from the Liberal Democrats.  The LibDems have, for years, been the minority party in the UK, garnering about 10% of the votes.

No more!

Suddenly, the electorate were exposed to something new. Some in the UK are calling him the Barak Obama of Britain. Well, this may be a bit much, but post-debate polls skyrocketed the LibDems shares to 33%, pushing Labor down to a shocking third place.

And all from one TV debate.

Now there is talk of a ‘hung Parliament’ (where no one gets a majority) and a coalition government.

The world of British politics has been turned upside down by the power of TV.  It wasn’t so much what Nick Clegg had to say, as opposed to the way he said it. He is good TV. Much better TV than Brown, who often looks half dead and Cameron who often looks like the kind of kid who got beaten up every day in junior high.

So now it’s Nick Clegg.

Good TV.

Can he run a government? Who knows.

And in the world of TV, does it matter?

In 1960, telegenic became the prime quality for the electability of a candidate.  If you were not telegenic, you were dead.

That was a 1960s piece of technology taking control over our lives in its own strange way.

They say Kennedy understood TV better than Nixon. This, I think is BS.  Kennedy was just better TV.  Clegg is better TV than Cameron or Brown.

But TV, as we all know, is a dying medium.

A candidate has yet to surface who understands or rather commands the web the way Kennedy commanded TV.

But it will come.

Like Facebook, it will sweep through the population in a wave of mass popularity.

And it’s not going to be like Obama rather lame tweets and blogs.

They remind me of the kind of tweet that The Travel Channel does “Be sure to tune into Andrew Zimmern tonight at 8pm”

Oh yeah, that’s something that I really want to see.

Nope.

It’s gonna be something very different.

And soon, Tweetability, like telegenic looks will be paramount to elect a leader.

Assuming you want a twitterer in the White House, or a TV host in 10 Downing Street.

Flying High With Yaroslav Kofman

By Michael Rosenblum | Published April 25th, 2010
YouTube Preview Image

Not bad for a first client…

For those of you who took the Travel Channel Academy in Santa Barbara or Los Angeles, or who were in the Radio Free Europe bootcamps in Prague, Yaroslav Kofman will be a familiar face.

He was the Russian trainer guy.

At 23, he has also become an accomplished VJ who is creating an interesting niche for his VJ work.

Yesterday, I got a call in the middle of the WEtv Film Academy training session. It was Yaroslav and he was in NY. Did I have time for a cup of coffee.

Sure.

Yaroslav had brought along his new iPad and was busy showing me his latest work.

When I last talked to Yaroslav he was using his video skills to create very high end wedding videos. Now, he’s branched out, and to a very good place.  He’s doing videos for very high end corporate clients – like private jet rentals and luxury hotels.  He shoots everything with his Canon Mark2 DSLR camera and a moderately wide angle lens.  He cuts on Final Cut on a Macbook and he has built his own invention – a kind of portable track that allows him to move the camera along the ground.

It’s a cool machine.

Take a look at the quality of the work that he is producing on his own.

Pretty good for a 23-year old VJ.

His clients do too.