Why You Don’t Want To Drag Around That Stupid Tripod All Day

[youtube]http://www.youtube.com/watch?v=eZkRklAsEEg[/youtube]

Clifton Suspension Bridge in Bristol, England

Last night we had dinner with a senior executive at a major UK broadcasting network – all to remain unnamed.

He’s interested in training his reporters to work as VJs.

All to the good.

We got into a discussion about what kind of equipment to buy for them:

Small Sony video camera
Sennheiser shotgun mics
RF mics
Final Cut Pro

Then we got to the tripods.

I say no.

He says yes.

I say no.

He says yes.

I say no.

This is clearly going nowhere.

He says that tripods are essential for a steady shot.

I say that the only time you need a tripod is for shooting things that don’t move, or for the occasional (very) press conference or long interview.

Other than that, I don’t want the VJs dragging around what is essentially a cumbersom and heavy piece of gear.

It only slows the whole process down and makes people less aggressive in where they will go and what they will shoot.

He says you need a tripod all the time to get steady shots – even in a place like a restaurant.

So this morning, at The Guardian Media Academy here in London we screened a piece that Rosie Gloyn shot during our VJ bootcamp in Bristol.

It’s a nice little story.

It is only the second story she has ever made.

And she shot it all without at tripod. I know for sure because we don’t issue any.

But it looks pretty steady to me.

The secret is in how you hold the camera.

Don’t put your hand through the strap.

Just cradle it in the palm of your hand.

And then, when you take the shot – DNMTC!

Do Not Move The Camera.

Simple

And it works.

About the author

mrosenblum - For more than 20 years, Mr. Rosenblum has been on the cutting edge of the digital ‘videojournalist’ revolution. During this time, he has lead a drive for videoliteracy, and the complete rethinking of how television is made and controlled. His work has included: The complete transitioning of The BBC's national network (UK) to a VJ-driven model, starting in 2002. The complete conversion of The Voice of America, the United State’s Government’s broadcasting agency, (and the largest broadcaster in the world), from short wave radio to television broadcasting and webcasting using the ‘VJ” paradigm (1998-present). The construction of NYT Television, a New York Times Company, and the largest producer of non-fiction television in the US. Rosenblum was both the founder and President of NYT TV, (all based on the “VJ” paradigm – 1996-1998). The President and Founder of Video News International, a global VJ-driven newsgathering company, with more than 100 journalists around the world. (1993-1996).